October 2021 - Hello Again & New Folksy & Society6 Products

It is hard to believe that is has almost been a year since my last blog post. My last post was full of Inktober 2020 illustrations, and, as I type this I’m around half way through my Inktober 2021 illustrations. In some ways it is like the last year didn’t happen, it has just simply vanished, and in other ways it has been a long, hard, slog. I think, as I reached the end of 2020, and we started the New Year under lots of COVID restrictions and going into another lockdown, I felt like everything was put on pause while we waited to get vaccinated. It felt long, and I simply didn’t feel like writing blog posts – I’m sure a lot of people felt the same way. Then, as we progressed further through the year I had to face some personal difficulties, and as I’m not someone who can act all cheery on the internet if I’m not actually feeling it, I didn’t say anything at all. Things still aren’t sorted for me personally, that’ll take some time, but regardless of how I’ve been feeling, one thing that hasn’t changed, is that I haven’t stopped drawing.

I’m one cover design away from my second ‘rough’ picture book dummy being finished (‘finished’ doesn’t mean full-colour spreads here – it is rough). It is a wordless story about a robot, aiming to encourage slightly older reluctant readers. I like the idea of a book being accessible to any (sighted in this case) person, even if they struggle to read. The structure of the narrative is slightly more complex than a traditional picture book, so it still feels like you are having to read and interpret the story - just without words. I wonder if I would be told it is too complex for younger readers? But, what I always find fascinating about little kids, is how often, when ‘they’ tell a story, there is very little structure, their stories jump around like dreams, and while I think structure in books is important, I’m wondering if kids would be as baffled by a more complex structure, with multiple characters, as adults would think, or would they just take it in their stride? I think it would be interesting in find out.

I’ve also recently reopened my Folksy shop and my Society 6 shop. My Folksy shop is currently only accessible to those in the UK (postage and tax to other countries has become pretty expensive for the time being) and it is selling some of my handmade polymer clay jewellery, (I’ve also made all the polymer clay beads used in the jewellery).

I am now also selling a small selection of greetings cards featuring 5 of my woodland animal illustrations. I can’t decide on my favourite – I love the squirrel’s tail, but the badger is so much fun and the mole looks so sweet! I’m really pleased with them all, so I’m planning on creating more illustrations using the same characters.

For anyone outside of the UK interested in my illustrations, there is a wider range of animal friends (10 characters) available in my Society 6 store on a variety of different products (if you click on a product, others products with the same design will show up at the bottom of that particular product page). People in the UK can purchase from Society 6 too, but watch out for postage and tax, I have no control over these things.

I hopefully won’t leave it another year before I post again, I plan to fill you in on a few things that happened in the year that wasn’t, and I’ll give you a rundown on Inktober 2021 once it is complete. 

Take care and I’ll be back soon. x

June - July 2020 – Intro to Children's Publishing Course and Buying all the Books!

So much for a monthly blog post! Here is a round-up of the last two months!

Lockdown may have eased a lot in the UK now but I’m still sticking pretty close to home, I find myself thinking that I’ll put something off for one or two weeks more just to see how things go. Maybe I’m being too cautious but I don’t feel trapped or like I’m missing out on anything yet, even though I’ve been staying in a lot. I think this is mostly down to taking part in an eight-week course during June and July, called “Intro to Children’s Publishing” hosted by editor Katy Flint. The course involved a weekly Zoom meeting and homework to continue with during the rest of the week. It was limited to ten participants, which made it feel friendly and intimate, rather than intimidating, and I felt that it was a really useful, informative and encouraging course, which helped to build my confidence.

I made many notes and sketches during the eight weeks!

The course is for both authors and illustrators and its main aim is to give you the knowledge and tools that you will need to approach agents or publishers with your children’s book pitch. In the first three weeks we looked at how a publishing house works, we were given guidance on what a pitch might look like, we looked at how words and pictures work together, and how we could spot trends and gaps in the market.

Playing with some character expressions.

The following fours weeks saw everybody start to develop their own ideas for books (fiction or non-fiction) so they could start working towards their pitch. In week five, six and seven the group then split in two, the authors in one group and the illustrators in the other, so we could discuss the progress of our book ideas in a smaller, more manageable group.

In the final week we discussed how pitching works and who you might pitch to, as well as what to do when facing rejection.

Throughout the course Katy gave a number of talks, but there were also three guest lectures with Q and As. The first was from an art director, the second was from an author and editor, and the final Q and A was with a campaigns manager. It was fantastic to hear from a range of people working in the publishing world, learning what their job role entails and being able to pick their brains.

This course included an abundance of useful information, but I think the reason why it felt so special was down to Katy herself. You can tell how passionate she is about children’s publishing, and how hard she works so she can share her knowledge and experience with those who are new to the industry. She is friendly, approachable and encouraging, allowing everyone space to grow and gain confidence, and has even offered individuals some of her time following on from the course for a month. I’ve never come across such personal dedication from someone running an online course before, she goes above and beyond, making this course a priceless opportunity for anyone interested in creating their own children’s book and pitching it to a publisher.

If you are interested you can find more information on Katy’s website here. I participated in the very first outing of this course, so it is likely to alter and develop slightly over time, but I have definitely found it to be great value for money.

Getting back into narrative drawing during the course has also motivated me to get a bit experimental with my images, so I’ve bought some Sennelier Soft Pastels. I haven’t used any kind of pastels since college because I’ve always hated the mess they make, but for some reason I’m now being drawn to them, so I’m hoping to overcome my creative nemesis!

One problem I’ve had with taking part in a course about children’s publishing has been the need to buy more books! Of course, when I say “need”, it was in no way mandatory to buy any books for the course, but I used it as a good excuse to go wild! A couple of the books in the image were mentioned during the course, but most were already on my wish list, I just decided that my wish list was a great opportunity for learning! :)

Moving on to other books, I’m finally reading “Girl, Woman, Other” by Bernardine Evaristo, (it really is taking me a while to work through my TBR pile), and I am absolutely loving it, there are so many different strong female characters and stories to explore. I admit it took me a couple of pages to get used to the lack of capital letters and full stops, and the odd line breaks, but I found I soon fell into a steady reading rhythm where none of those things seemed important anymore.

I’ve also added two more books to the TBR pile, the first is “Why I’m No Longer Talking To White People About Race” by Reni Eddo-Lodge. After the death of George Floyd and the wave of energy through the Black Lives Matter movement, it seemed irresponsible and callous to not sit up and listen or try to do more. I have been taking in so much information, and learning so much from people generously sharing their knowledge on instagram, but I need to do more, I need to learn and understand more and unlearn even more, as I now realise how flawed the society I have grown up in, is.

The second book I bought was The Diet Myth by Professor Tim Spector. Tim is the leader of a microbiome project which has used genetic sequencing in twins to study gut bacteria, (fun fact, my mum and aunt - twins - took part in some of Tim’s twin studies years ago, and still sometimes fill out questionnaires, apparently, according to my mother, Professor Tim was quite the dish!), and as someone that definitely has a peculiar gut I’m interested in what he has to say. This book is a few years old now (published 2016), but Tim has a new book “Spoon-Fed” being published at the end of August so I thought I’d try and get this one in first before reading the next one.

My final book purchase was a birthday present to myself, A special edition of “Pens Ink and Places” by Quentin Blake. I’ve seen this edition online before but it is pretty expensive, but The Tate Shop were selling it in their summer sale with £45 off, so I took it as a sign from the universe that I should get it, and I’m so glad I did, it is beautiful.

My parcel from Mini Gallery Box finally arrived in June, I pre-ordered it months ago, but the lockdown in France (where it was being sent from) meant that even their post offices were shut down, so nothing could go out at all. This was my second Mini Gallery Box purchase, the first featured artist Leigh Ellexson. Each box features some prints, a mini magazine about the artist and a few other items such as pins, notebooks and pencils cases. The artist featured in this box was the Ellie Vs Bear, and it was well worth the wait as it is adorable! I just love those blues, pinks and purples.

Finally we move on to my Instagram impulse purchases! Firstly we have the sensible rather than impulsive purchase of face masks. I bought a couple of plain linen masks from Helen Round for when I feel like blending in, and then two gloriously patterned numbers from Esther Blessed on Etsy. The impulse purchase was the wonderful Esther Blessed wraparound skirt, just look at those colours and the pattern. Now, I don’t wear skirts, I gave up wearing them years ago when they were either too long, or would work their way up my chest as I walked and I had to keep pulling them down. However, a wraparound skirt seems to be the answer, it stays where I put it and will keep me that bit cooler this summer.

My next impulse purchase is this beautiful shades of Indigo rainbow by Natasha Newton. I’ve loved her paintings for years, and I’ve always wanted an original. I would, one day, still like to purchase a canvas of hers, but boy do you have to be quick if you want to buy any of her work from her online shop. I felt very lucky to be able to purchase one of her three rainbows this time around.

Only two more impulse purchases to go! I’m a big believer in supporting picture book illustrators and authors, so as soon as Dapo Adeola mentioned on instagram that his personal online shop was open again for a limited time, I jumped at the opportunity to buy this bundle, a signed copy of Look Up!, a print of Rocket and a pin of Rocket – they are awesome!

And, my final impulse purchase, which was actually prompted by a stock alert email (rather than Instagram), is my new mustard Glosters mug. Glosters mugs have also been flying off their website as soon as they put new stock up, and recently I’ve either not had the money to spare at the right moment, or I’ve been too slow, so I’m so pleased to have nabbed this beauty!

Finally I’ll leave you of a few images from my early morning walk the other day. We went to Black Down for the first time since lockdown, and it was glorious! It was also my first time in the car in ages… which weirdly didn’t feel like it had been that long! I am actually really bad at getting up early, it knocks me sideways for the following four days, but nothing beats early morning air!

All thoughts are my own, I’m not affiliated with anyone mentioned, all purchases were made with my own money and links take you to the sites I personally made purchases from. You may prefer purchasing books from independent retailers.

All images are my own ©Dawn Bevins-Johnson 2020

Hello 2020 – Recent Work and Christmas Book Haul – January and February Update

I’ve just had a quick read over my last blog post, and December 2019 Dawn was so looking forward to getting her teeth into the New Year! Little did she know that she would see 2020 in with some crappy throat lurgy that forced her to swallow liquid Nurofen because she couldn’t face swallowing tablets. Thankfully, after staying in bed for most of New Year’s Eve and taking children’s medicine, I managed to make it to our friend’s house in the evening, and then stayed up until 2 am. I’m not saying it was the best idea as far as my health was concerned, but I didn’t lose at Jenga, and I won at Cards Against Humanity (I’m not entirely sure what that says about me), and had a lovely time - I just slept for most of the next two days.

After that bumpy start, I spent the rest of January trying to catch up. I finally updated the work section of this site. I added a few new illustrations that I had been working on, removed a few older pieces and changed some of the sections around. I’m still not entirely happy with it, but I have a clearer idea of where I’m headed and what sort of work I’d like to add to it next.

Illustration-wise, I finally got around to drawing my final (for now) Millie illustration. You may remember from previous blogs, that Millie is a red-headed character that I started drawing at the beginning of 2019. Some of the illustrations can be seen in the ‘work’ section. I’ve quite a collection of scenes that show different things going on, but now I want to pause and consider writing a coherent story that the illustrations seem to be hinting at.

I’ve also been working on some more Ollie the Acorn illustrations. Unlike Millie, who started as a character illustration without a story, Ollie started as a story first, and I started drawing him and getting to know him afterwards. The only problem I’ve found with working like this, is that in my head I think I’ve already created more illustrations than I actually have. It was a bit of a disappointed to realise that I only had four and a half (one I’m not happy with which I’m ditching), I thought I had about twelve! Still that means I have a healthy looking “to do” list to work through.

As you may have seen in previous blog posts, I’ve been participating (successfully) in Jake Parkers Inktober for two years now, (Inktober is a drawing challenge where you are given a different prompt for every day of October), last year I created circular illustrations of a variety of child characters, and the year before the illustrations were based on a witch character called Hattie. Jake Parker has now decided to make Inktober more of an all year affair, by introducing Inktober 52. Inktober in October will still continue, but Inktober 52 will offer a weekly prompt all year. I love a drawing challenge, so I haven’t been able to resist joining in so far (even if I am a little behind on posting them on instagram). I’m working with a character again (I think it is actually easier to work with a recurring character during challenges because then you always have a starting point and aren’t having to pluck ideas from thin air – It is also great practice for character consistency), so far I’m just referring to him as Little Mouse. I think as the year progresses I’ll get to know him a little better, work out what his name is and what his story will be.

I’ve also been trying to edit some of my illustrations so they are ready for print. The idea is that I’ll open up my Folksy shop again (to begin with so I don’t have to start a new store from scratch) and offer a few wildlife cards, postcards and prints, but I’m procrastinating because that means spending money, which will seem like a waste if no one wants to buy them… I know, I know, you don’t know until you try.

In the December blog I also mentioned a Christmas book haul, so here we go, I’ll also have a January/February book haul but I think I’ll need to save that for another post, otherwise this blog will be far too long! .

When Paul Met Artie by G Neri, Illustrated by David Litchfield.
This is the illustrated story of Simon and Garfunkel, and while I know next to nothing about Simon and Garfunkel, I love everything illustrated by David Litchfield. I was so chuffed to receive this from one of my friends, and it is such a sweet story - I had no idea how young they were when they experienced initial success (even if it was followed by some ups and downs).

What Katy Did/What Katy Did At School/What Katy Did at School by Susan Coolidge
These books were such a lovely gift from my mum, they were some of her favourite stories when she was a little girl, but I’ve never read them. I really need to sit down one evening with a hot chocolate and some biscuits and get lost in them.

Family Don’t End With Blood by the cast and fans of Supernatural, edited by Lynn S. Zubernis
I only started watching Supernatural a couple of years ago, but it is a show with a huge, close fanbase, and once you start to fall into it you are lost - but in a good way. The Supernatural fanbase is affectionately referred to as the SPN family, because it feels like a warm, supportive, welcoming family, (and that includes the cast and crew as well as fans), and Lynn S. Zubernis has captured this by bringing together a collection of essays from both fans and actors talking about how Supernatural is more than just a TV show, and how, it can, in a fascinating way, bring people together and change lives.

Lights On Cotton Rock by David Litchfield
Did I mention how much I love David Litchfield???! All of his work is beautiful but the colours he uses in this book are more than stunning. It is the story about a young girl who meets an alien. It’s about friendship and family, and longing and home, and not realising how much you already have in life right in front of your nose.. It’s such a heartwarming story with such amazing illustrations.

Jill and Lion, Jill and Dragon by Lesley Barnes
These two books have been on my wish list for a long time, so I was thrilled to receive them from my husband for Christmas. I adore the illustrations, the use of colour, shape, pattern and texture, they are so dynamic, I love just sitting and turning through each page, absorbing the magic.

Ghost by Illustratus
Originally a successful Kickstarter campaign, Ghost: Thirteen Haunting Tales To Tell, is a selection of poems and stories written for a new generation of young readers, that has all that eerie timeless feel of traditional ghost stories with little twists at the end. This is such a lovely book, the illustrations are both beautiful and creepy, and even as an adult I found the stories a little sinister.

Harry Potter and the Goblet of Fire by J.K.Rowling Illustrated by Jim Kay
My Husband buys me an illustrated, hardback copy of a Harry Potter book for Christmas, each year one is published. I then save it until October, so I can sit in bed at night over the autumn and winters months, taking my time to read it as we head towards Christmas (we also start watching the films again every October, sometimes we get through them by Christmas, sometimes we don’t). Needless to say I haven’t had a proper look at this yet, I’m saving it, but it is definitely a book I’m looking forward to reading (I’ve read it as a non-illustrated book, just not this version).

My Favourite Thing Is Monsters by Emil Ferris
I can’t remember where I heard about this graphic novel, I think it was on a podcast, but thank goodness someone was talking about it, otherwise I wouldn’t have known it existed – both the graphic novel and Emil Ferris had sounded so fascinating to me that I had, had this book on my wish list ever since. Ferris contracted West Nile Fever and became paralysed from the waist down and lost the use of her right hand, so her daughter taped a pen to her hand to help her draw again while she was recovering. My Favourite Thing Is Monsters is what Ferris worked on while she was recovering. The whole novel, which is written in the form of a young girls diary, is drawn in ballpoint pen, so visually, it feels so fresh and interesting compared the usual graphic novel format, and I cant wait to read it.

That’s all my news for now, there are plenty more books (and hopefully illustrations :D ) to follow soon. I hope you have all had a great start to 2020.

(I have added links in the titles of the books mentioned to either Amazon or Wordery, I’m not affiliated with them, they are just places I personally buy books from online. At the time of writing this, the link I chose was the cheapest option – obviously price and stock are subject to change, so it always worth comparing different sites).

September & October 2019

I am currently right in the middle of my happy place - Autumn. It may be raining all the time, but I don’t care, blankets and jumpers are coming out of the cupboards and candles are being lit, it is almost time to start talking about Christm… but first, a catch up.

My book gifts and chocolates from Karen!

In September I saw two of my book cover designs on actual physical books for the first time. Originally the designs were created for digital books, but author Karen Pomerantz decided to make both Trapping Honey and Bring The Thunder available for print, and she very kindly sent me a copy of each. I’ve seen lots of my design work in print before but never on a book, and I love books, so being able to hold them in my hands is both surreal and special.

Inktober sketchbook ideas

The official Jake Parker Inktober prompt list was released on September 1st, and as I was going to be away in September and October, I knew that planning would be essential if I was going to make it through the whole month, so I started making scribbles in my sketchbook, noting down ideas for each prompt.

Festival of Light sculpture at Longleat Safari Park.

I wasn’t quite sure what to do for my birthday this year, but remembering how much I enjoyed meeting lemurs in the Lakes last year, we decided it was time to return to Longleat Safari Park, and my husband booked us both a red panda experience.

It was a pretty grey and rainy day, but not torrential. At the time they were beginning to set up the Festival of Light which starts in November, so there were a couple of sculptures already out, and we could see others being built in fenced-off areas, (we considered booking another visit for this, but as we usually head to Frome the night before visiting and stay for two nights, it seemed a bit much to go twice in three months, so maybe next year!).

Our experience wasn’t until the afternoon, so as is tradition we booked tickets on the first bus safari of the day (my husband is never going to agree to going through the monkeys in the car) and we were lucky enough to get front window seats on the top deck. We don’t usually do much on the stop at the African village, but this time I paid for a couple of twigs to feed the giraffes, which was totally worth it.

For the VIP experience, out keeper took us into the red panda enclosure to meet brothers, Kody and Lionel (named after the band Kodaline). Although the brothers were bred in captivity, our keeper told us all about where the red pandas come from, what their diet is like, what dangers they face in the wild (being hunted for their fur) and what work is being done to try and protect them, as well as how breeding programmes work throughout Europe. Fun fact, only red pandas are actual pandas, panda bears are bears.

We fed Kody and Lionel some vegetables and some panda cake – they have bamboo in their enclosure to eat too, but it is really hard for the keepers to monitor how well they are eating, or if they are getting enough to eat (especially as bamboo is so nutritionally poor) if they are just left to eat this way. The panda cake looks like dung balls, but they are made from a special bamboo substance, that is bought in, and then mixed with water so it forms a ball.

Kody and Lionel loved the panda cake! They came down to a table in front of us, we held out the food one piece at a time and they took it from us. Lionel in particular was incredibly gentle when he took food from me. They are the most beautiful animals and it was the perfect birthday gift.

After the experience we went on the Jungle Cruise. I love the Jungle Cruise! Last time we were there it was during the summer holidays so the queue was too long, but this time it was much easier to get on. It is only a short boat ride, and you have to pay for the little pot of fish, but I get so much joy from feeding the sea lions!

Inktober Day 4: Freeze (Musical Statues)

Once back from Frome I gave myself a little head start on Inktober. I’d already chosen the colours I wanted to use and decided that all illustrations were going to be circular, (carrying on a similar theme from my most recent wildlife illustrations). I had prepped by drawing around a plate thirty-one times, so I was ready to start on the actual illustrations straight after my birthday. I had decided not to use ink this year as I wanted to continue working with coloured pencils. I also decided to carry on my character work by drawing children for each prompt either playing, pretending, or taking part in some kind of activity.

Inktober Day 23: Ancient

The plan was to try and get half complete before I went away to the Lake District for a week on October 4th. I had considered taking them with me, but I prefer working in natural light if I can, and I knew by the time we’d been out adventuring every day, It would either be too dark or I would be too tired, then I wouldn’t be able to relax properly because I would have wanted to keep up with the challenge… sometimes you just need to be realistic and make a plan! I was really pleased to get sixteen completed before we left, it also gave me an extra five days breathing room when I got back before Inktober caught up with me.

Our week in the Lakes was the wettest we’d had in a while, but it didn’t matter, it never does. As is tradition, we spent Saturday pottering around Cockermouth visiting Percy House Gallery and The New Bookshop before having lunch at Shills. Sunday, was another kind of tradition, as we always end up at Grasmere. We took the walk around the lake, had lunch at Greens Cafe and Bistro (some good options if you are vegan, or trying to avoid dairy or gluten – I had a jacket potato with hummus and salad) and stopped by the Heaton Cooper Studio as I love picking up a few art supplies from there because it has a lovely atmosphere.

Blea Tarn

We then drove on to take a look at Blea Tarn, which was quite nice, but not as nice as the view of the valley (Great Langdale?) you found if you carried on walking along the pathway that went by the tarn – even on a grey day it was a lovely surprise.

On Monday we decided to visit Carlisle as we hadn’t been before. We went to the castle – I love a bit of history – then after lunch we went in search of bits of Hadrian’s Wall.

Considering everyone has heard of Hadrian’s wall, it seemed a little odd that there are only odd pieces of it left, I mean I’m not surprised so much by how much is left, considering how old it is, but surprised by the combination of how little there is and its fame.

View from Whinlatter, looking out over Keswick and Derwentwater.

A stay in Cockermouth just wouldn’t be the same without a visit to Whinlatter, which is what we decided to do on the Tuesday. It was lovely, it was blinkin’ windy but the sun came out for us and it was beautiful. So far, each time we have walked up Whinlatter, that same view has been completely different.

Derwentwater

After a spot of lunch and meeting various new dog friends, we drove down to the Theatre By The Lake in Keswick, where we picked up a hot drink and then went and sat on the shores of Derwentwater.

The boating hut was closed due to a bad weather forecast, so the whole shoreline seemed strangely quiet compared to other times we have been there, but it was nice. It felt like we were tempting fate as we watched giant clouds roll in, but it is the Lake District, and you can never quite guarantee what the weather is going to do and we were able to sit for ages watching the changing light without being caught in a downpour.

On Wednesday we visited Aira Force Waterfall for the first time. It was quite good, there are plenty of paths to explore, and it gave me an opportunity to try my new walking poles, to help me (and my dodgy knee) get up (but mostly get down) the rocky pathway at the side of the waterfall. There were quite a few people there even though it was a damp day, so I don’t think it is somewhere I would like to visit during the school holidays, it must get swamped with people.

Buttermere

Our final day was another grey one, but we headed to Buttermere. We arrived fairly early to make sure we could get parking and because as the day goes on, the walk around the lake gets quite busy. We took my walking poles with us, as last time we were there, one part of the walk had quite a lot of rocks and boulders to clamber over… it turns out they have done a fair bit of work since our last visit, and that section of the walk is far more accessible now. I also made friends with two dogs, which always makes me happy.

Inktober Day 27: Coat (of paint).

Since we have been back, I’ve mostly been working on my Inktober illustrations. It was a bit of a struggle as we have had some really dark days, so I was trying to do all the sketching/outline work with the col-erase on dark days, and then working on the colour on brighter days, so rather than completing each illustration one by one, it turned into a bit of a production line.

Inktober Day 18: Misfit

Inktober Day 25: Tasty.

My back also started to complain, I don’t think it appreciated how long I was sitting in my chair every day. It is a very good ergonomic chair, but that doesn’t stop me from gradually leaning forward and twisting to one side while I’m working, without realising. I finished my inktober illustrations with five days to go, which is what I had been striving for. It meant I could reward myself, and my back, by taking a few days off from sitting at the desk. The rest of this week is going to see me sitting sensibly (not lounging) on the sofa with my sketchbook muddling through some new ideas.

Drawing Dogs – June 2019 Update

Sad Millie at the swimming baths.

I’m currently working on three projects. My plan is to update my portfolio with more in-depth character work, rather than one-off illustrations, but obviously it is going to take a little bit of time! My current work will also show my new love for coloured pencils. I still love my watercolour inks, and I plan on doing more work with them, but since the beginning of the year I’ve started using coloured pencils. It has been a bit of a learning curve, as I haven’t used them since college, and I’ve always hated them, so I’m not exactly sure what has changed, but I feel really comfortable with them at the moment.

Initial scribbles

So back to the projects. I’m still working with the little girl that I mentioned in my February blog post, but now she has a name - Millie. Ive also been experimenting with an acorn as I want to develop my skills in creating characters from objects – I have an idea for a story for that character too. The third project is mostly about dogs, so I’ve been trying to draw lots of dogs from reference photos.

First French Bulldog scribbles

So far I’ve attempted a French Bulldog, a Boston Terrier, a Corgi and a Cairn Terrier. They may not strictly stick to their breed by the time I have finished with them, but it is a good place to start when trying to see their differences and working out how those details can represent different personalities.

I don’t have a story planned for the dogs yet, just a vague idea for where they live and what their names might be, I find these things become more concrete as the drawings develop.

In between project work, I’m also trying to do the odd one-off illustrations. They may not be my best work, but I find it is nice just to finish something when everything else I’m working on is developing. Some Ideas I pluck from thin air, (such as the lady in the dress), others are part of a Draw It In Your Style Challenge (this one is Matcha Girl set by Iraville).

I had planned to take part in the By Bun April Art Challenge, but in the end only did the first two days, here is day two – Knotted (the brown paper was intentional, I wanted to worked on a textured surface).

I’ve also used ArtPrompts.org (The girl with the toys came from the prompt “An adorable little girl with two adorable little heads” – I took that to mean that she had two heads, but I decided to take it in a slightly different direction) .

So that is where I am at right now. I think I may add a couple of posts on two things I’m passionate about soon - picture books and purchases from independent designer/makers. I get a lot of happiness and inspiration from books and independents so it feels right to give them a shout–out, so keep an eye out for that.

Until next time – bye!

Making Art That Sells - Illustrating Children's Books 5

During October and November 2018 I took the five week ‘Illustrating Children’s Books’ MATS (Make Art That Sells) online course hosted by Lilla Rogers and Zoë Tucker. I thought it might be nice to share my experience here in case anyone else is considering this course, or just looking for a children’s illustration course in general.

The aim of the course is to assist you to produce several pieces of work for your portfolio to help pitch your illustrations professionally. Just before the course begins you are given three texts (children’s stories written by Lilla and Zoë) to read through, so you can decide which you would like to work with. You are also given access to a Facebook Group specifically for members of the class. This means that throughout the course you can chat with your classmates, share with others what you are working on, and find and give support. I found this group to be warm and friendly, but it is quite large so sometimes posts can get swallowed up quickly. I personally also found it a bit addictive so by the end of week three I had to cut back on posting and replying because I was getting distracted - with the class being global there was always someone on there to talk to! However it was nice to know that there was a bunch of people in exactly the same creative boat as me.

Each day (apart from Sunday) you are given a daily prompt to work on for ten minutes or so, to help you get started and loosen up, these correspond with the subject that you are working on that week, so it is something that you can refer back to as you work on the main assignments. I found these prompts really useful as they were a great exercise to get you moving each day without all the worry and procrastination, they also reminded me of the importance of drawing from reference, it was good to get back into that practice. The only problem with the prompts that I had was my own lack of self discipline, if I happened to be enjoying a prompt, ten minutes could easily turn in an hour or more.

On Monday you would be given a mini assignment, the aim of these is to introduce you to the main assignment gently, you have two days for the mini and then on Wednesday you are given the main assignment that you have until Sunday to complete. Once completed you upload your main assignment to the gallery on the website (mini assignments can be shared in the Facebook Group), then on the following Wednesday the gallery goes live and you can look through all the work produced by the class.

On the Wednesday after submitting your assignment, Lilla and Zoë do a review of some of the work from the gallery. They choose around twenty pieces and talk through what is great about them and also suggest ways in which they can be improved. You are warned before purchase that not everybody will get personal feedback on their work, so it is up to each illustrator to take the advice from the video and apply it to their own work. Looking at the gallery, I would estimate that there are at least 250 people taking the course, so it just isn’t possible for every piece of work to be commented on, those twenty chosen pieces create a review video over an hour long - you would be there all day if everyone was featured!

Each week you are also given at least one article/interview/video/info sheet a day (apart from Sunday), but most days it is more than one. These cover a range of things such as interviews with illustrators and publishers, articles on how to approach art directors and what they are looking out for, what is actually involved when you get a job (how projects work), as well as guidance on the main assignment. I think this might have been my favourite part of the course, you are basically being told a whole heap of stuff you wouldn’t usually know unless you have been there and done it already. It has given me more confidence on what to expect once I’m happy with my portfolio and I try and find work.

Week one was all about the main character. We began by reading through our chosen text searching for clues about their personality, inventing the accessories we thought they would wear and carry, before we moved on to drawing the actual character. I hadn’t thought of doing this before and it helped me to understand my character more thoroughly, and flesh him out a bit.

In week two we concentrated on emotions and expressions, drawing nothing but the head and playing with how we could convey meaning through the face. This was built on in week three by adding the body and developing poses to go with some of those expressions, trying to ensure that meaning was being communicated consistently throughout the whole character.

During week four we worked on environment with the main assignment being a double page spread. This was the assignment that I was most nervous about. I mostly work traditionally using watercolour ink and sometimes find it difficult to bring the characters and their surroundings together neatly and naturally. The course permits any medium, traditional or digital so I decided to paint each element separately then brought all the pieces together in Photoshop. I am as slow at Photoshop as I am painting, so it still took me ages but it did take the pressure off - if I made a mistake while painting, I wouldn’t have to do the whole thing all over again (whether I’ll continue to work like that I’m not sure yet).

All text in this piece is copyright of Zoë Tucker.

In the final week we worked on the front cover (see top of post). By the final Tuesday, working from first thing in the morning to late most days had aggravated my crummy back and I was having difficulty sitting for any length of time. I felt I had to rush to get the cover done and dusted, which is a shame, but I was still pleased that I finished every assignment - I uploaded the cover on the Friday and I can’t lie, I was happy to have a free weekend back after four weeks without one!

So was it worth it and did I enjoy it? Yes it was and yes I did (I even had a tiny cry at it after I uploaded the final assignment… or maybe I was just overworked! :) ). It is, if you want it to be, a lot of work, the amount of information given to you and the amount you are asked to do is intense, but I also found it great fun and exhilarating to be part of something, and to have set deadlines and goals. I was also surprised by how much work I actually produced in five weeks. Although I wasn’t entirely happy with my character and aspects of my other assignments, I now feel like I have a better idea of what things I need to change and work on in order to improve, and I’m looking forward to working through all the downloads and absorbing all the information and advice properly. I now also feel more confident about what my next steps will be once I am happy with my portfolio, I feel like I’m in a position to make a plan.

Were there any negatives? Not especially, but it is worth taking note of a few things that might make you feel a little negative personally, what with us creative types inclined to be a little more emotional or sensitive than others. Firstly, the course is quite a lot of money, that’s not to say it isn’t great value, but if you are going to spend your money on it, get the most out of it that you can by committing as much time to it as possible. Also it seems really obvious to me in hindsight, but when you purchase the course, as far as I can remember, the product page doesn't mention ‘may be subject to VAT’, so when I had (just under) an extra £80 added to my basket, it wasn’t the most pleasant surprise!

Secondly, you know you shouldn’t be comparing yourself to others, we all know that, but when you are surrounded by so many different styles and mediums, it can be really hard not to. You will need to have little mantras along the lines of “I’m me, I’m being me, they are doing them, and I am doing me” for the days when you aren’t feeling so confident. My experience, (and from what I can tell the experience of a lot of people in the Facebook group), is that the course is a bit of an emotional roller coaster, one minute you are motivated and enthusiastic and the next you feel like a sack of crap (we all have some kind of pesky doubts right?), it is a great practice for pushing through and continuing to work while you are feeling like that sack of crap. Of course the other side to there being so much other work to compare yourself to is that it is really inspiring - there is so much eye-candy.

I think the final thing I want to mention goes back to the review. My work wasn’t chosen for review, and while you know that statistically it is unlikely, each week you still hope that you are chosen. You don’t even realise that you were hoping until you aren’t in there and then you feel disappointment. It is pretty weird to feel disappointment for something you didn’t know you were hoping for… it isn’t the best feeling, but it isn’t the end of the world either, you soon get over it, you don’t have time to dwell on it, you have another assignment to start! I just figured I wasn’t standing out enough, I wasn’t hitting the mark, and if I’m honest with myself that is perfectly fair, I need to improve - and I will.

Mid-Year Update 2018

So much for regular blog posts! I have no idea where the first half of the year went, but I certainly didn't spend it updating this blog! I don't want to send anyone to sleep with almost seven months worth of details so I'll just hit you up with a couple of highlights! Firstly, the site has had a bit of a work update, there are now new sketchbook collages to see, as well as a new section featuring an ongoing project where I illustrate heads. 

Secondly, one of the projects I've worked on this year is writing and illustrating my own story, "Miriam Makes A Difference".

This was actually a birthday gift for Lewis, my friend's son. It was inspired by a day out we had together at Longleat, where we saw a variety of Mantis. Miriam is a Praying Mantis and the story revolves around her saving herself and fellow buggy creatures from a horde of hungry bats (to keep it simple we politely ignore Miriam's eating habits). 

I gave myself four weeks to complete the project, from coming up with the story, right through to tying all the painted pages together with ribbon...but it took me eight, (sorry Lewis!), even though I rushed a fair bit and kind of cheated. I say 'cheated' as I took full advantage of the qualities of a Praying Mantis when illustrating. Usually if I wanted to illustrate something sequential I would be thinking about flow, points of view, scale... but the thing about the Praying Mantis is that they spend lots of time being very, very still, so I kept her in exactly the same spot, at exactly the same size on many of the pages - even when she does move it is only one arm! So while I played on the static nature of my main character, I tried to make up for the lack of movement by changing small details, so sometimes Miriam might have an umbrella, or sunglasses, or a hat, and on each page, each little buggy friend has moved to a different spot and is doing something different. I think it is a project that could definitely be developed and improved upon, but the most important thing is that Lewis liked it and didn't mind that it was late! 

Finally, I recently spent a week Gishing! (Gishing - not fishing). Gish is the Great International Scavenger Hunt that takes place for one week each year. It is hosted by actor Misha Collins (who some people might know from Supernatural) and has been running since 2011. I've only recently started watching Supernatural, so needless to say I've only just started snooping on the instagram accounts of actors, and I've only just discovered Gish. I was a bit apprehensive at first (so much so that instead of signing up, I first bought a t-shirt and then donated a Gisholarship, so someone else who couldn't afford it, could take part), seeing pictures of past items, such as "VIDEO. Find someone you love and butter them up; literally, cover them in butter and then give them a big hug." made me nervous. However, I had a week before registration closed to decide and I couldn't stop thinking about it. I liked the idea of doing good, raising money for charity (via registration fee and t-shirt sales), having fun and breaking away from my usual routine. So I registered and set about, via the Gish app, finding a team to play with. I ended up joining team Smelly Friends (A F.R.I.E.N.D.S reference - we don't actually stink), thanks to a lovely friendly invite from our Captain Natasha. There were 15 of us spread throughout the UK, Ireland, the U.S and Australia. It has been such great fun being able to chat with complete strangers, of varying ages, from around the world, all working towards the same goal! The hunt involves a list of over 200 items that teams can attempt, some teams know each other physically so can take part in challenges that need several team members to complete, but we each chose items that could be done either alone or with the help of family members. Each item is worth points, the team with the most points wins ( it was a trip to New Zealand this year), although we were a 'just for fun' team, so aren't holding out any hopes of winning - some teams really appear to be, 'life-on-hold-in-it-to-win-it!' Naturally I veered away from the challenges that involved causing myself too much embarrassment (maybe next year) and opted for the creative challenges, so I thought I'd share some here. 

Item 31: You are never too old to...
So this is the most 'outgoing' I get, plastering myself in make-up in a childlike manner, but only because it also gave me a good excuse to build a fort. Unexpectedly, this may have been my favourite item to complete - I was really fond of my simple little fort. 

Item 155: Using only the contents of your spice cabinet, create a portrait of one (or all) of the Spice Girls
I knew I wanted this item as soon as I saw it, then once I had assigned myself to it I wondered what the hell I had let myself in for! I enjoyed this because, although it wasn't easy, using the spices turned out to be less challenging than I had thought - as long as you resist the urge to blow tiny particles out of the way and sneezing. My magic tools turned out to be a mini skewer with a paddle on one end, and a teaspoon, but you only ever put the tiniest amount of spice on the spoon at one time, no matter how impatient you are getting, if a tiny bit falls in the wrong place you can nudge it, or cover it with a different spice, if loads of spice falls in the wrong place you may as well grab the hoover and start again! I'm not the most patient person in the world so I was pretty impressed with the focus I had doing this, I also really liked how her hair turned out. 

Item 118: You know Winnie the Pooh. But have you met his cousin Vinnie da Pooh? Show us a page from the book about Pooh Bear’s mob-boss cousin.
This was another item that I knew I wanted to complete. In hindsight, having seen submissions from other teams I realise I could have saved myself a lot of time by doing one large image and a single line of text... but when have I ever made things easy for myself? (The answer is never - if there is a longer and harder way of doing something I'll inadvertently do it). Naturally, I decided to not only create two illustrations but to also start writing a whole story - I guess it is just what I do! I really enjoyed trying to capture the style of the original, non-Disney, Winnie the Pooh. I suppose it isn't too far away from what I do with outlines and watercolour, but I really had to concentrate on the detail in the line work, and keeping the colour delicate and not too heavy.  

Item 162: A painting of Castiel alive in the time of dinosaurs. (You may do this with traditional media or digitally).
I didn't have a full week of Gish as I was off on my holibobs, so decided to take this item on, on my last full day at home. It went okay. I was annoyed that I couldn't get a good likeness of Cas, but I didn't have time to sit and worry about it, or try and keep redrawing it if I wanted to get it completed by the end of the day - I just had to get it done. For anyone familiar with Supernatural, Cas is telling the dinosaurs what he learned from the pizza man... and they seem to be pretty interested! It was the first time I had approached drawing characters by firelight, again I'm not sure why I decided to make it harder for myself, but by the time I came to paint it and actually started considering colour use, the sketch was all done and ready to go, so I just rolled with it. I'm quite pleased, I think I've managed to get a fairly good contrast between the light and the shadow, and although there is room for improvement, it isn't bad considering I knocked an A3 illustration - concept to finish - out in a day.

Item 201: It's recently been discovered that there's a lake on Mars. Show us a summer alien "Beach Day" at the lake, complete with picnicking, fishing, and swimming aliens. (You may create this as a photo, a drawing, or a digital painting).
So in my infinite wisdom I decided that I could maybe squeeze in one more final item the night before my holiday... although the fact that I chose to do it digitally suggests that I wasn't that confident in completing it before leaving and would maybe have to take it with me. It was nowhere near completed by the end of the night so I ended up continuing with it in the car while driving up to the Peak District (obviously I wasn't the one doing driving, I mean I can multitask okay but I can't actually drive, so I certainly wasn't multitasking on this occasion). I then finished it off that evening while sitting with my family and drinking wine. Again, it was a bit of a rush, I did have another day to do it before the Gish deadline, but I wanted to spend that time with my family, so I only gave myself that night to complete it. Originally I wanted to create my own aliens, but knowing that I was on quite a tight deadline I decided that not having to think up entirely new characters would probably be easier (maybe I did learn something from the previous items about not doing the hardest-most-time-consuming-thing after all). 

So that's pretty much everything for now. Hopefully I'll be quicker at posting next time, and with a bit of luck it will also be a bit shorter!