New Beginnings... Well, Almost!

I didn’t realise how long it had been since I had written a post on here. It has been two years, bear with me, my writing is going to be super rusty. My last post was about my Arts Council Funding, I was feeling so motivated and creative on the back of my year long project, and as the project ended, I was already halfway through my EFT training, which was also really exciting and inspiring, but looking back, I realise I was also a bit knackered from throwing myself into new things, I also caught Covid for the first time, around the same time. I then still needed to work through my 30 hours of EFT practice throughout the following year. 30 hours doesn’t sound like much, but it is one heck of a learning curve. I did quite a lot of practice hours as swaps with other training practitioners, which meant an hour as a practitioner and an hour as a client, so as well as learning a lot, I was simultaneously processing all my own baggage at the same time, which could be quite intense… it was quite the ride, not regrets though, I now have a tool and a skill that can really help to support others as well as myself, and I’ve met some wonderful people.

It has now been a year since I became accredited as an EFT practitioner, and that year has also flown by, I started 2024 by taking another EFT course – PTT (Picture Tapping Technique), which as you can imagine, really appealed to me, it was a lot of fun, but my focus also shifted to selling the house. It was already on the market but at the end of 2023 we decided to change estate agents (if you ever think that isn’t worth doing because they are ‘all the same’, maybe reconsider, it made a huge difference for us).

2024 has seen me: trying to fit in a few trips to the theatre or to see bands with my friend before I moved away, find a buyer for the house, travelling up to Berwick-Upon-Tweed to look at houses, having an offer accepted on a house in Berwick, losing a buyer, finding a new buyer, spending far too much time rifling through boxes of nostalgia, selling the house, saying goodbye and leaving Conford for the last time after 9 years, and now waiting for my purchase to go through, while I stay with family in Norfolk.

There has been a lot of excitement, a lot of stress, a lot of emails, a lot of phone calls, a lot of waiting, and a lot of living with boxes. I have continued trying to create in between the viewings and the packing, and the planning and organising, but it has been tricky, and now all my art supplies are in a storage unit somewhere. I am choosing to believe that everything happens when it is supposed to, but boy, has that been challenging at times. I’m trying to relax and enjoy the time I have right now, because before I know it, it will be moving vans and boxes all over again, but in reverse, emptying everything, and a new chapter will begin. Part of me doesn’t dare think about Berwick, not until I am actually there and moved in, it has been a long, long, road to get to this point, I often thought it wasn’t going to happen, it was like everyone else was living at a normal speed, and I was frozen in the space I was in. Even now it feels so near, yet so far.

I have a list of things I want to work on once I have paper, paint and desk space again. The website needs a serious overhaul, it is so out of date now. not quite abandoned but close enough. The last two years has seen me play and try various things out, I’ve found myself drawn to bright colours and patterns, but there is definitely more work to do before I can get the site up to scratch. I believe everything is happening as and when it should, and that is okay, it is not up to me to question it, it is just my job to start creating at full speed again, and hopefully I’m on my way to doing just that, soon-ish.

August 2022 - Saying Goodbye To Some Of The Greats

There has been some sadness within the last few weeks, quite a few well-known people have passed away, notably three people who had a huge impact on some aspect of my childhood.

Firstly, Bernard Cribbins was the voice of my childhood. I would always find such joy from listening to him on TV and on audio cassette, bringing some wonderful story to life. No one can forget Jackanory and The Wombles, but one of my other favourites was Moschops. He was someone who could just magically appear anywhere from Super Gran to Last of the Summer Wine, and it made me so happy as I have grown well into my adult years, seeing him in Doctor Who and Old Jack’s Boat. I don’t have any of my audio cassettes left – they were not built to last – but the one that I do remember, which was narrated by Bernard Cribbins was Bertie’s Escapade, (written by Kenneth Grahame and illustrated by Sandy Nightingale), in the first christmas editon of The Storyteller magazine from Marshall Cavendish. Everybody loves a christmas theme, and it was probably one of the magazines/cassettes that I read/listened to the most. To me, Bernard Cribbins’ voice meant great character, great humour, and comfort, and I am going to miss that very much.

We also, very sadly, lost Olivia Newton-John. What young girl has not spent at least a small part of her childhood singing and dancing to Grease? I’m not sure how old I was, maybe 10, I would watch it every Saturday, recorded on to VHS from the TV, rewinding and watching my favourite songs over and over again. I sang “Hopelessly Devoted To You” a lot, sadly, nowhere near as well as Olivia – she had such a beautiful voice. I didn’t really know much about Olivia outside of Grease, (there is a whole music career I’ve yet to discover, although I do quite like the version of “Baby, It’s Cold Outside” performed with John Tavolta, which switched the lyrics around), other than we shared a birthday, and she always seemed as wonderful and warm as her character Sandy. It doesn’t matter how many other people come along and play Sandy in the future, it will always be Olivia’s role.

Finally, just a few days ago, we lost Raymond Briggs. This one hit me pretty hard. I do have a confession to make though, I didn’t own a copy of The Snowman until I was in my thirties. Shocking, I know! And, what is more, I didn’t like the animation when I was a kid, but it was nothing to do with the story (which is pure brilliance), or the illustrations, or the animation, it was the damn song (no offence, Aled) – I did rather enjoy Father Christmas though. My real love and appreciation for Raymond Briggs, didn’t actually start until approximately 1992, when I was around 11 or 12, and I came across a copy of The Man (published by Julia MacRae Books), while I was spending some book vouchers, up on the first floor of WHSmith, in Coventry.

It has remained one of my favourite books ever since, and I pick it up to read or flip through, often, (Briggs and the Marshall Cavendish Storytellers, along with maybe a handful of other books are the reason I would love to create my own picture books, I feel like I always carry the magic of them inside me).

What I love about Briggs’ work is that his characters always feel so real and fleshed out, and his illustrations can express so much emotion either with or without words. His storytelling is exquisite. I love that as a reader, even when young, I never felt patronised him. His stories felt honest, and he wasn’t afraid of using humour and sadness within the same space, and that to me, felt like life, things aren’t always happy and colourful all of the time, but within sad moments, there can be some light, a smile and little moments to cherish.

In The Man, a peculiar, tiny, adult man appears in a boy’s room one night, naked and demanding to be dressed. He is rude and not the most likeable house guest, but he is also alone, and so tiny that he can’t do things for himself, and he needs help. I appreciated how Briggs examined friendship, building it up and tearing it down, incorporating themes of gratitude, responsibility, vulnerability, generosity, selfishness, companionship, anger and loss, and there was also so much humour. It is a story that makes you feel a thousand feelings, so you come out the other side a little beaten and weathered but grateful. Briggs put everything into his stories, absolutely everything, love, loss, and wisdom… whole lives, and he will be a huge loss.

Life is short, sing songs, draw pictures, and tell and share stories.

October 2021 - Hello Again & New Folksy & Society6 Products

It is hard to believe that is has almost been a year since my last blog post. My last post was full of Inktober 2020 illustrations, and, as I type this I’m around half way through my Inktober 2021 illustrations. In some ways it is like the last year didn’t happen, it has just simply vanished, and in other ways it has been a long, hard, slog. I think, as I reached the end of 2020, and we started the New Year under lots of COVID restrictions and going into another lockdown, I felt like everything was put on pause while we waited to get vaccinated. It felt long, and I simply didn’t feel like writing blog posts – I’m sure a lot of people felt the same way. Then, as we progressed further through the year I had to face some personal difficulties, and as I’m not someone who can act all cheery on the internet if I’m not actually feeling it, I didn’t say anything at all. Things still aren’t sorted for me personally, that’ll take some time, but regardless of how I’ve been feeling, one thing that hasn’t changed, is that I haven’t stopped drawing.

I’m one cover design away from my second ‘rough’ picture book dummy being finished (‘finished’ doesn’t mean full-colour spreads here – it is rough). It is a wordless story about a robot, aiming to encourage slightly older reluctant readers. I like the idea of a book being accessible to any (sighted in this case) person, even if they struggle to read. The structure of the narrative is slightly more complex than a traditional picture book, so it still feels like you are having to read and interpret the story - just without words. I wonder if I would be told it is too complex for younger readers? But, what I always find fascinating about little kids, is how often, when ‘they’ tell a story, there is very little structure, their stories jump around like dreams, and while I think structure in books is important, I’m wondering if kids would be as baffled by a more complex structure, with multiple characters, as adults would think, or would they just take it in their stride? I think it would be interesting in find out.

I’ve also recently reopened my Folksy shop and my Society 6 shop. My Folksy shop is currently only accessible to those in the UK (postage and tax to other countries has become pretty expensive for the time being) and it is selling some of my handmade polymer clay jewellery, (I’ve also made all the polymer clay beads used in the jewellery).

I am now also selling a small selection of greetings cards featuring 5 of my woodland animal illustrations. I can’t decide on my favourite – I love the squirrel’s tail, but the badger is so much fun and the mole looks so sweet! I’m really pleased with them all, so I’m planning on creating more illustrations using the same characters.

For anyone outside of the UK interested in my illustrations, there is a wider range of animal friends (10 characters) available in my Society 6 store on a variety of different products (if you click on a product, others products with the same design will show up at the bottom of that particular product page). People in the UK can purchase from Society 6 too, but watch out for postage and tax, I have no control over these things.

I hopefully won’t leave it another year before I post again, I plan to fill you in on a few things that happened in the year that wasn’t, and I’ll give you a rundown on Inktober 2021 once it is complete. 

Take care and I’ll be back soon. x

June - July 2020 – Intro to Children's Publishing Course and Buying all the Books!

So much for a monthly blog post! Here is a round-up of the last two months!

Lockdown may have eased a lot in the UK now but I’m still sticking pretty close to home, I find myself thinking that I’ll put something off for one or two weeks more just to see how things go. Maybe I’m being too cautious but I don’t feel trapped or like I’m missing out on anything yet, even though I’ve been staying in a lot. I think this is mostly down to taking part in an eight-week course during June and July, called “Intro to Children’s Publishing” hosted by editor Katy Flint. The course involved a weekly Zoom meeting and homework to continue with during the rest of the week. It was limited to ten participants, which made it feel friendly and intimate, rather than intimidating, and I felt that it was a really useful, informative and encouraging course, which helped to build my confidence.

I made many notes and sketches during the eight weeks!

The course is for both authors and illustrators and its main aim is to give you the knowledge and tools that you will need to approach agents or publishers with your children’s book pitch. In the first three weeks we looked at how a publishing house works, we were given guidance on what a pitch might look like, we looked at how words and pictures work together, and how we could spot trends and gaps in the market.

Playing with some character expressions.

The following fours weeks saw everybody start to develop their own ideas for books (fiction or non-fiction) so they could start working towards their pitch. In week five, six and seven the group then split in two, the authors in one group and the illustrators in the other, so we could discuss the progress of our book ideas in a smaller, more manageable group.

In the final week we discussed how pitching works and who you might pitch to, as well as what to do when facing rejection.

Throughout the course Katy gave a number of talks, but there were also three guest lectures with Q and As. The first was from an art director, the second was from an author and editor, and the final Q and A was with a campaigns manager. It was fantastic to hear from a range of people working in the publishing world, learning what their job role entails and being able to pick their brains.

This course included an abundance of useful information, but I think the reason why it felt so special was down to Katy herself. You can tell how passionate she is about children’s publishing, and how hard she works so she can share her knowledge and experience with those who are new to the industry. She is friendly, approachable and encouraging, allowing everyone space to grow and gain confidence, and has even offered individuals some of her time following on from the course for a month. I’ve never come across such personal dedication from someone running an online course before, she goes above and beyond, making this course a priceless opportunity for anyone interested in creating their own children’s book and pitching it to a publisher.

If you are interested you can find more information on Katy’s website here. I participated in the very first outing of this course, so it is likely to alter and develop slightly over time, but I have definitely found it to be great value for money.

Getting back into narrative drawing during the course has also motivated me to get a bit experimental with my images, so I’ve bought some Sennelier Soft Pastels. I haven’t used any kind of pastels since college because I’ve always hated the mess they make, but for some reason I’m now being drawn to them, so I’m hoping to overcome my creative nemesis!

One problem I’ve had with taking part in a course about children’s publishing has been the need to buy more books! Of course, when I say “need”, it was in no way mandatory to buy any books for the course, but I used it as a good excuse to go wild! A couple of the books in the image were mentioned during the course, but most were already on my wish list, I just decided that my wish list was a great opportunity for learning! :)

Moving on to other books, I’m finally reading “Girl, Woman, Other” by Bernardine Evaristo, (it really is taking me a while to work through my TBR pile), and I am absolutely loving it, there are so many different strong female characters and stories to explore. I admit it took me a couple of pages to get used to the lack of capital letters and full stops, and the odd line breaks, but I found I soon fell into a steady reading rhythm where none of those things seemed important anymore.

I’ve also added two more books to the TBR pile, the first is “Why I’m No Longer Talking To White People About Race” by Reni Eddo-Lodge. After the death of George Floyd and the wave of energy through the Black Lives Matter movement, it seemed irresponsible and callous to not sit up and listen or try to do more. I have been taking in so much information, and learning so much from people generously sharing their knowledge on instagram, but I need to do more, I need to learn and understand more and unlearn even more, as I now realise how flawed the society I have grown up in, is.

The second book I bought was The Diet Myth by Professor Tim Spector. Tim is the leader of a microbiome project which has used genetic sequencing in twins to study gut bacteria, (fun fact, my mum and aunt - twins - took part in some of Tim’s twin studies years ago, and still sometimes fill out questionnaires, apparently, according to my mother, Professor Tim was quite the dish!), and as someone that definitely has a peculiar gut I’m interested in what he has to say. This book is a few years old now (published 2016), but Tim has a new book “Spoon-Fed” being published at the end of August so I thought I’d try and get this one in first before reading the next one.

My final book purchase was a birthday present to myself, A special edition of “Pens Ink and Places” by Quentin Blake. I’ve seen this edition online before but it is pretty expensive, but The Tate Shop were selling it in their summer sale with £45 off, so I took it as a sign from the universe that I should get it, and I’m so glad I did, it is beautiful.

My parcel from Mini Gallery Box finally arrived in June, I pre-ordered it months ago, but the lockdown in France (where it was being sent from) meant that even their post offices were shut down, so nothing could go out at all. This was my second Mini Gallery Box purchase, the first featured artist Leigh Ellexson. Each box features some prints, a mini magazine about the artist and a few other items such as pins, notebooks and pencils cases. The artist featured in this box was the Ellie Vs Bear, and it was well worth the wait as it is adorable! I just love those blues, pinks and purples.

Finally we move on to my Instagram impulse purchases! Firstly we have the sensible rather than impulsive purchase of face masks. I bought a couple of plain linen masks from Helen Round for when I feel like blending in, and then two gloriously patterned numbers from Esther Blessed on Etsy. The impulse purchase was the wonderful Esther Blessed wraparound skirt, just look at those colours and the pattern. Now, I don’t wear skirts, I gave up wearing them years ago when they were either too long, or would work their way up my chest as I walked and I had to keep pulling them down. However, a wraparound skirt seems to be the answer, it stays where I put it and will keep me that bit cooler this summer.

My next impulse purchase is this beautiful shades of Indigo rainbow by Natasha Newton. I’ve loved her paintings for years, and I’ve always wanted an original. I would, one day, still like to purchase a canvas of hers, but boy do you have to be quick if you want to buy any of her work from her online shop. I felt very lucky to be able to purchase one of her three rainbows this time around.

Only two more impulse purchases to go! I’m a big believer in supporting picture book illustrators and authors, so as soon as Dapo Adeola mentioned on instagram that his personal online shop was open again for a limited time, I jumped at the opportunity to buy this bundle, a signed copy of Look Up!, a print of Rocket and a pin of Rocket – they are awesome!

And, my final impulse purchase, which was actually prompted by a stock alert email (rather than Instagram), is my new mustard Glosters mug. Glosters mugs have also been flying off their website as soon as they put new stock up, and recently I’ve either not had the money to spare at the right moment, or I’ve been too slow, so I’m so pleased to have nabbed this beauty!

Finally I’ll leave you of a few images from my early morning walk the other day. We went to Black Down for the first time since lockdown, and it was glorious! It was also my first time in the car in ages… which weirdly didn’t feel like it had been that long! I am actually really bad at getting up early, it knocks me sideways for the following four days, but nothing beats early morning air!

All thoughts are my own, I’m not affiliated with anyone mentioned, all purchases were made with my own money and links take you to the sites I personally made purchases from. You may prefer purchasing books from independent retailers.

All images are my own ©Dawn Bevins-Johnson 2020

May 2020 – Keep On Keeping On

A lockdown sure makes writing a monthly blog post daunting, I am quite focused on living in the present and taking each day as it comes, but when I come to actually sit down and write a post, I’m very aware that another month has slipped by and not a lot has happened. Still, so far people I know seem to be safe and healthy, I hope anyone reading this is safe and healthy too. With all this in mind I have tried to cobble together anything that has happened during May.

Inktober 52 prompt - Elephant

Inktober 52 prompt - Bubble

Without wanting to sound like a broken record, I’m still drawing Little Mouse for Inktober 52, however I’m getting really bad at remembering to share on Instagram. I was in a nice routine where I posted every Sunday, but my routine has changed and Sunday has now turned into a lie-in day (after getting up super early on Saturday), where I make time to either read, or as has happened over the last three weeks, watch the current play being streamed by The National Theatre on YouTube, then I spend and hour or two having a video chat with my family.

The National Theatre plays have felt like a real treat. I missed the start of their showings, but I’ve managed to see Frankenstein, Barber Shop Chronicles and A Streetcar Named Desire. They have all been fantastic, I particularly loved Jonny Lee Miller as the Creature in Frankenstein, his physical acting before the creature begins to communicate with words, the use of light and sound, it was utterly mesmerising, I would highly recommend any future showings if you can catch them.

As a little distraction from mice, I also took part in a “Draw This In Your Style” contest, to celebrate The Bright Agency UK reaching 50,000 followers on Instagram. The challenge was to draw your own version of the grumpy crocodile from “Open Very Carefully” by Nicola O’Byrne. I didn’t win, I didn’t even make the shortlist, but as I’ve never had any inclination to draw a crocodile before it was something new to try (and something new is always nice when your days are blending into one), and it was good to draw something that wasn’t a mouse – for a bit – but I’ve been happy to return to the mouse…

…That was until last week, actually it had very little to do with the mouse, I just found that I was struggling to draw. I’m going to blame it on some kind of lockdown drudgery and fatigue, but whatever I touched turned out to be abysmal and it was incredibly frustrating. It was four days until I picked up a pencil to draw again, but in that time I did pick up a pen instead, and I actually jotted some stories down on paper, so maybe one creative block released another. I think it is nearly always best to just keep-on-keeping-on, create something, even if it isn’t what you were expecting.

This month we tried “mochi” for the first time. Curiosity insisted that I buy some after spotting it online, and I’m not sure what I was expecting, it was definitely more gelatinous than I thought it would be, although to be fair the description described it as “…a cross between marshmallow and bubblegum” and that is pretty accurate. I enjoyed the sesame with red bean paste filling, and the green tea with green tea paste filling was pleasant, but the shredded coconut with sesame paste filling had to be given to my husband to finish, I didn’t enjoy it at all, (although my husband preferred that one to the green tea). It was new, it was interesting, but I don’t think I’ll order more.

We also had our first two lockdown Zoom quizzes with our friends. It is so good to have a little catch up with everyone and a bit of fun. We have come last in the quiz both times so far, but maybe we will have more luck in June.

(Excuse the wrinkles, I’m not a big fan of ironing at the best of times, even more so when I’m not actually seeing anyone).

I’ve been trying not to make too many spontaneous purchases in May, I’ve successfully refrained from buying books, but I did buy two t-shirts which I have coveted for a while. They are from Rosie Johnson’s Teemill store, because I think we can all agree, we all love naps and Jessica Fletcher – what an icon! They are also made from organic cotton, and once they are old and worn out and you don’t want them anymore, they can be sent back to Teemill for recycling, amazing!

So there isn’t much else to report. Lockdown in the U.K. is currently starting to ease, although no one I know is in any great hurry to go back to how things were just yet, I think a lot of us are preparing to move forward with caution. Having said that, I think my June will be a little busier so hopefully I’ll be back in around four weeks to share anything of interest.

April 2020 – Another month gone ... but where?!?

You would think that lockdown would result in the days dragging, but April seems to have gone by in a blur of sameness, so it was a bit of a surprise when I realised that it was the last day of the month and it hadn’t occurred to me to start a blog post.

The Guardian

So what has happened in April? Well I finished the week-long instagram illustration challenge “Dream Week”, you can find all of the illustrations posted on my instagram grid. It was good fun, I’d been desperate to include one of my Caran D’ache fluorescent dry highlighters in a palette, and the colours I chose for these drawings were such fun and a bit of a change for me. I do tend to choose bright colours, but there is still usually something quite traditional about the colours I select as a whole. Dream Week saw me using lots of pinks, reds and purples, with some neon yellow thrown in. The highlighter pencil obviously wasn’t ideal for illustration, its a little too waxy, but I’m a big believer in using any medium you have at hand to make art.

‘Little Mouse’ work-in-progress

I’m also continuing to create ‘Little Mouse’ illustrations for the Inktober52 art prompt challenge. I lost a little inspiration this month, and actually considered missing a week, as all the prompts were colours. Colour prompts are great if you are a traditional Inktober participant using black ink, as a pop of colour can be really effective, but if you are already using colour the prompt feels a bit vague. However, I’ve managed to create three illustrations prompted by a colour (well, almost - I should be finishing one now), and I think there will be a final colour prompt later today, so I’m feeling pretty pleased that I didn’t let myself get too despondent or give up.

A hand washing haiku

The other thing that happened in April was mini-Gish. I’ve mentioned Gish in this blog before, it is a week long, global scavenger hunt that takes place every summer. However, since lots of people are stuck at home, the organisers thought it would be fun to create a 24 hour version, to help raise money for charity and to give people something fun to look forward to. It was a lot of fun and it also taught me that the things I create really don’t have to be perfect. I tell myself this every time I play Gish, but I always find myself trying my very best, and sometimes restarting projects, and giving myself several attempts to ‘get it right’. If you have the luxury of a week, you can do that, but I found in 24 hours the first thing I created stuck, it didn’t matter if it was wonky, imperfect or laughable, because ultimately it didn’t matter, it was just a bit of fun, (I always tell myself this, but this was the first time I truly practised it)

Tim MInchin (supposedly) in pencil shavings

I completed 5 tasks – in the last week-long hunt I achieved 9 tasks – so it just goes to show how my approach to tasks has altered, it has left me wondering just how many I can finish in the summer hunt.

Briana Buckmaster and Kim Rhodes in toothpaste, on a bathroom mirror.

For those wondering I created:
• A haiku about hand washing to be put above the sink.

• A portrait of a favourite famous person created using some kind of household waste (I chose Tim Minchin in pencil shavings, he is pretty wonky but it was 3 am).

• A miniature portrait of someone famous who makes you smile, on a mirror, in toothpaste. I chose Kim Rhodes and Briana Buckmaster.

• A representation of your dream couch carved from a potato.

• A sun hat made from weeds.

I’ve also been trying not to spend too much money this month, I have mostly been putting it towards food parcels. I had two sent to my parents and was fortunate to be on a video chat when one of them arrived. It was really nice to see them get excited about the things they were pulling out of the box. I’m also quite weak-willed when it comes to making spontaneous Instagram purchases, I’ve really tried to resist, but my willpower failed me twice (almost three times, as I almost made another purchase yesterday but you had to pay by card and I couldn’t be bothered to go and fish it out).

I bought a Sofie Hagen ‘Self-Isolation Care Package’ bundle, which included her signed book, access to two of her shows online and a handwritten card. I love Sofie, she is smart, warm and funny, but also doesn’t take any crap! Obviously I haven’t read her book just yet, it has been added to my massive to-be-read pile.

I also bought a beautiful John Bloor print entitled ‘Thrift and Rocks’. John was having a sale on instagram so it seemed rude not to make a purchase. I’ve bought a print from him previously but it was for a gift, so it was really nice to buy a print I could keep for myself this time. You can find this print here.

That was all the excitement I experienced during April 2020, which considering how restricted we are, hasn’t been so bad. I definitely still feel very lucky. I’ll hopefully be back at the end of May for another update!

Hello 2020 – Recent Work and Christmas Book Haul – January and February Update

I’ve just had a quick read over my last blog post, and December 2019 Dawn was so looking forward to getting her teeth into the New Year! Little did she know that she would see 2020 in with some crappy throat lurgy that forced her to swallow liquid Nurofen because she couldn’t face swallowing tablets. Thankfully, after staying in bed for most of New Year’s Eve and taking children’s medicine, I managed to make it to our friend’s house in the evening, and then stayed up until 2 am. I’m not saying it was the best idea as far as my health was concerned, but I didn’t lose at Jenga, and I won at Cards Against Humanity (I’m not entirely sure what that says about me), and had a lovely time - I just slept for most of the next two days.

After that bumpy start, I spent the rest of January trying to catch up. I finally updated the work section of this site. I added a few new illustrations that I had been working on, removed a few older pieces and changed some of the sections around. I’m still not entirely happy with it, but I have a clearer idea of where I’m headed and what sort of work I’d like to add to it next.

Illustration-wise, I finally got around to drawing my final (for now) Millie illustration. You may remember from previous blogs, that Millie is a red-headed character that I started drawing at the beginning of 2019. Some of the illustrations can be seen in the ‘work’ section. I’ve quite a collection of scenes that show different things going on, but now I want to pause and consider writing a coherent story that the illustrations seem to be hinting at.

I’ve also been working on some more Ollie the Acorn illustrations. Unlike Millie, who started as a character illustration without a story, Ollie started as a story first, and I started drawing him and getting to know him afterwards. The only problem I’ve found with working like this, is that in my head I think I’ve already created more illustrations than I actually have. It was a bit of a disappointed to realise that I only had four and a half (one I’m not happy with which I’m ditching), I thought I had about twelve! Still that means I have a healthy looking “to do” list to work through.

As you may have seen in previous blog posts, I’ve been participating (successfully) in Jake Parkers Inktober for two years now, (Inktober is a drawing challenge where you are given a different prompt for every day of October), last year I created circular illustrations of a variety of child characters, and the year before the illustrations were based on a witch character called Hattie. Jake Parker has now decided to make Inktober more of an all year affair, by introducing Inktober 52. Inktober in October will still continue, but Inktober 52 will offer a weekly prompt all year. I love a drawing challenge, so I haven’t been able to resist joining in so far (even if I am a little behind on posting them on instagram). I’m working with a character again (I think it is actually easier to work with a recurring character during challenges because then you always have a starting point and aren’t having to pluck ideas from thin air – It is also great practice for character consistency), so far I’m just referring to him as Little Mouse. I think as the year progresses I’ll get to know him a little better, work out what his name is and what his story will be.

I’ve also been trying to edit some of my illustrations so they are ready for print. The idea is that I’ll open up my Folksy shop again (to begin with so I don’t have to start a new store from scratch) and offer a few wildlife cards, postcards and prints, but I’m procrastinating because that means spending money, which will seem like a waste if no one wants to buy them… I know, I know, you don’t know until you try.

In the December blog I also mentioned a Christmas book haul, so here we go, I’ll also have a January/February book haul but I think I’ll need to save that for another post, otherwise this blog will be far too long! .

When Paul Met Artie by G Neri, Illustrated by David Litchfield.
This is the illustrated story of Simon and Garfunkel, and while I know next to nothing about Simon and Garfunkel, I love everything illustrated by David Litchfield. I was so chuffed to receive this from one of my friends, and it is such a sweet story - I had no idea how young they were when they experienced initial success (even if it was followed by some ups and downs).

What Katy Did/What Katy Did At School/What Katy Did at School by Susan Coolidge
These books were such a lovely gift from my mum, they were some of her favourite stories when she was a little girl, but I’ve never read them. I really need to sit down one evening with a hot chocolate and some biscuits and get lost in them.

Family Don’t End With Blood by the cast and fans of Supernatural, edited by Lynn S. Zubernis
I only started watching Supernatural a couple of years ago, but it is a show with a huge, close fanbase, and once you start to fall into it you are lost - but in a good way. The Supernatural fanbase is affectionately referred to as the SPN family, because it feels like a warm, supportive, welcoming family, (and that includes the cast and crew as well as fans), and Lynn S. Zubernis has captured this by bringing together a collection of essays from both fans and actors talking about how Supernatural is more than just a TV show, and how, it can, in a fascinating way, bring people together and change lives.

Lights On Cotton Rock by David Litchfield
Did I mention how much I love David Litchfield???! All of his work is beautiful but the colours he uses in this book are more than stunning. It is the story about a young girl who meets an alien. It’s about friendship and family, and longing and home, and not realising how much you already have in life right in front of your nose.. It’s such a heartwarming story with such amazing illustrations.

Jill and Lion, Jill and Dragon by Lesley Barnes
These two books have been on my wish list for a long time, so I was thrilled to receive them from my husband for Christmas. I adore the illustrations, the use of colour, shape, pattern and texture, they are so dynamic, I love just sitting and turning through each page, absorbing the magic.

Ghost by Illustratus
Originally a successful Kickstarter campaign, Ghost: Thirteen Haunting Tales To Tell, is a selection of poems and stories written for a new generation of young readers, that has all that eerie timeless feel of traditional ghost stories with little twists at the end. This is such a lovely book, the illustrations are both beautiful and creepy, and even as an adult I found the stories a little sinister.

Harry Potter and the Goblet of Fire by J.K.Rowling Illustrated by Jim Kay
My Husband buys me an illustrated, hardback copy of a Harry Potter book for Christmas, each year one is published. I then save it until October, so I can sit in bed at night over the autumn and winters months, taking my time to read it as we head towards Christmas (we also start watching the films again every October, sometimes we get through them by Christmas, sometimes we don’t). Needless to say I haven’t had a proper look at this yet, I’m saving it, but it is definitely a book I’m looking forward to reading (I’ve read it as a non-illustrated book, just not this version).

My Favourite Thing Is Monsters by Emil Ferris
I can’t remember where I heard about this graphic novel, I think it was on a podcast, but thank goodness someone was talking about it, otherwise I wouldn’t have known it existed – both the graphic novel and Emil Ferris had sounded so fascinating to me that I had, had this book on my wish list ever since. Ferris contracted West Nile Fever and became paralysed from the waist down and lost the use of her right hand, so her daughter taped a pen to her hand to help her draw again while she was recovering. My Favourite Thing Is Monsters is what Ferris worked on while she was recovering. The whole novel, which is written in the form of a young girls diary, is drawn in ballpoint pen, so visually, it feels so fresh and interesting compared the usual graphic novel format, and I cant wait to read it.

That’s all my news for now, there are plenty more books (and hopefully illustrations :D ) to follow soon. I hope you have all had a great start to 2020.

(I have added links in the titles of the books mentioned to either Amazon or Wordery, I’m not affiliated with them, they are just places I personally buy books from online. At the time of writing this, the link I chose was the cheapest option – obviously price and stock are subject to change, so it always worth comparing different sites).

September & October 2019

I am currently right in the middle of my happy place - Autumn. It may be raining all the time, but I don’t care, blankets and jumpers are coming out of the cupboards and candles are being lit, it is almost time to start talking about Christm… but first, a catch up.

My book gifts and chocolates from Karen!

In September I saw two of my book cover designs on actual physical books for the first time. Originally the designs were created for digital books, but author Karen Pomerantz decided to make both Trapping Honey and Bring The Thunder available for print, and she very kindly sent me a copy of each. I’ve seen lots of my design work in print before but never on a book, and I love books, so being able to hold them in my hands is both surreal and special.

Inktober sketchbook ideas

The official Jake Parker Inktober prompt list was released on September 1st, and as I was going to be away in September and October, I knew that planning would be essential if I was going to make it through the whole month, so I started making scribbles in my sketchbook, noting down ideas for each prompt.

Festival of Light sculpture at Longleat Safari Park.

I wasn’t quite sure what to do for my birthday this year, but remembering how much I enjoyed meeting lemurs in the Lakes last year, we decided it was time to return to Longleat Safari Park, and my husband booked us both a red panda experience.

It was a pretty grey and rainy day, but not torrential. At the time they were beginning to set up the Festival of Light which starts in November, so there were a couple of sculptures already out, and we could see others being built in fenced-off areas, (we considered booking another visit for this, but as we usually head to Frome the night before visiting and stay for two nights, it seemed a bit much to go twice in three months, so maybe next year!).

Our experience wasn’t until the afternoon, so as is tradition we booked tickets on the first bus safari of the day (my husband is never going to agree to going through the monkeys in the car) and we were lucky enough to get front window seats on the top deck. We don’t usually do much on the stop at the African village, but this time I paid for a couple of twigs to feed the giraffes, which was totally worth it.

For the VIP experience, out keeper took us into the red panda enclosure to meet brothers, Kody and Lionel (named after the band Kodaline). Although the brothers were bred in captivity, our keeper told us all about where the red pandas come from, what their diet is like, what dangers they face in the wild (being hunted for their fur) and what work is being done to try and protect them, as well as how breeding programmes work throughout Europe. Fun fact, only red pandas are actual pandas, panda bears are bears.

We fed Kody and Lionel some vegetables and some panda cake – they have bamboo in their enclosure to eat too, but it is really hard for the keepers to monitor how well they are eating, or if they are getting enough to eat (especially as bamboo is so nutritionally poor) if they are just left to eat this way. The panda cake looks like dung balls, but they are made from a special bamboo substance, that is bought in, and then mixed with water so it forms a ball.

Kody and Lionel loved the panda cake! They came down to a table in front of us, we held out the food one piece at a time and they took it from us. Lionel in particular was incredibly gentle when he took food from me. They are the most beautiful animals and it was the perfect birthday gift.

After the experience we went on the Jungle Cruise. I love the Jungle Cruise! Last time we were there it was during the summer holidays so the queue was too long, but this time it was much easier to get on. It is only a short boat ride, and you have to pay for the little pot of fish, but I get so much joy from feeding the sea lions!

Inktober Day 4: Freeze (Musical Statues)

Once back from Frome I gave myself a little head start on Inktober. I’d already chosen the colours I wanted to use and decided that all illustrations were going to be circular, (carrying on a similar theme from my most recent wildlife illustrations). I had prepped by drawing around a plate thirty-one times, so I was ready to start on the actual illustrations straight after my birthday. I had decided not to use ink this year as I wanted to continue working with coloured pencils. I also decided to carry on my character work by drawing children for each prompt either playing, pretending, or taking part in some kind of activity.

Inktober Day 23: Ancient

The plan was to try and get half complete before I went away to the Lake District for a week on October 4th. I had considered taking them with me, but I prefer working in natural light if I can, and I knew by the time we’d been out adventuring every day, It would either be too dark or I would be too tired, then I wouldn’t be able to relax properly because I would have wanted to keep up with the challenge… sometimes you just need to be realistic and make a plan! I was really pleased to get sixteen completed before we left, it also gave me an extra five days breathing room when I got back before Inktober caught up with me.

Our week in the Lakes was the wettest we’d had in a while, but it didn’t matter, it never does. As is tradition, we spent Saturday pottering around Cockermouth visiting Percy House Gallery and The New Bookshop before having lunch at Shills. Sunday, was another kind of tradition, as we always end up at Grasmere. We took the walk around the lake, had lunch at Greens Cafe and Bistro (some good options if you are vegan, or trying to avoid dairy or gluten – I had a jacket potato with hummus and salad) and stopped by the Heaton Cooper Studio as I love picking up a few art supplies from there because it has a lovely atmosphere.

Blea Tarn

We then drove on to take a look at Blea Tarn, which was quite nice, but not as nice as the view of the valley (Great Langdale?) you found if you carried on walking along the pathway that went by the tarn – even on a grey day it was a lovely surprise.

On Monday we decided to visit Carlisle as we hadn’t been before. We went to the castle – I love a bit of history – then after lunch we went in search of bits of Hadrian’s Wall.

Considering everyone has heard of Hadrian’s wall, it seemed a little odd that there are only odd pieces of it left, I mean I’m not surprised so much by how much is left, considering how old it is, but surprised by the combination of how little there is and its fame.

View from Whinlatter, looking out over Keswick and Derwentwater.

A stay in Cockermouth just wouldn’t be the same without a visit to Whinlatter, which is what we decided to do on the Tuesday. It was lovely, it was blinkin’ windy but the sun came out for us and it was beautiful. So far, each time we have walked up Whinlatter, that same view has been completely different.

Derwentwater

After a spot of lunch and meeting various new dog friends, we drove down to the Theatre By The Lake in Keswick, where we picked up a hot drink and then went and sat on the shores of Derwentwater.

The boating hut was closed due to a bad weather forecast, so the whole shoreline seemed strangely quiet compared to other times we have been there, but it was nice. It felt like we were tempting fate as we watched giant clouds roll in, but it is the Lake District, and you can never quite guarantee what the weather is going to do and we were able to sit for ages watching the changing light without being caught in a downpour.

On Wednesday we visited Aira Force Waterfall for the first time. It was quite good, there are plenty of paths to explore, and it gave me an opportunity to try my new walking poles, to help me (and my dodgy knee) get up (but mostly get down) the rocky pathway at the side of the waterfall. There were quite a few people there even though it was a damp day, so I don’t think it is somewhere I would like to visit during the school holidays, it must get swamped with people.

Buttermere

Our final day was another grey one, but we headed to Buttermere. We arrived fairly early to make sure we could get parking and because as the day goes on, the walk around the lake gets quite busy. We took my walking poles with us, as last time we were there, one part of the walk had quite a lot of rocks and boulders to clamber over… it turns out they have done a fair bit of work since our last visit, and that section of the walk is far more accessible now. I also made friends with two dogs, which always makes me happy.

Inktober Day 27: Coat (of paint).

Since we have been back, I’ve mostly been working on my Inktober illustrations. It was a bit of a struggle as we have had some really dark days, so I was trying to do all the sketching/outline work with the col-erase on dark days, and then working on the colour on brighter days, so rather than completing each illustration one by one, it turned into a bit of a production line.

Inktober Day 18: Misfit

Inktober Day 25: Tasty.

My back also started to complain, I don’t think it appreciated how long I was sitting in my chair every day. It is a very good ergonomic chair, but that doesn’t stop me from gradually leaning forward and twisting to one side while I’m working, without realising. I finished my inktober illustrations with five days to go, which is what I had been striving for. It meant I could reward myself, and my back, by taking a few days off from sitting at the desk. The rest of this week is going to see me sitting sensibly (not lounging) on the sofa with my sketchbook muddling through some new ideas.

Drawing Dogs – June 2019 Update

I’m currently working on three projects. My plan is to update my portfolio with more in-depth character work, rather than one-off illustrations, but obviously it is going to take a little bit of time! My current work will also show my new love for coloured pencils. I still love my watercolour inks, and I plan on doing more work with them, but since the beginning of the year I’ve started using coloured pencils. It has been a bit of a learning curve, as I haven’t used them since college, and I’ve always hated them, so I’m not exactly sure what has changed, but I feel really comfortable with them at the moment.

Initial scribbles

So back to the projects. I’m still working with the little girl that I mentioned in my February blog post, but now she has a name - Millie. Ive also been experimenting with an acorn as I want to develop my skills in creating characters from objects – I have an idea for a story for that character too. The third project is mostly about dogs, so I’ve been trying to draw lots of dogs from reference photos.

First French Bulldog scribbles

So far I’ve attempted a French Bulldog, a Boston Terrier, a Corgi and a Cairn Terrier. They may not strictly stick to their breed by the time I have finished with them, but it is a good place to start when trying to see their differences and working out how those details can represent different personalities.

I don’t have a story planned for the dogs yet, just a vague idea for where they live and what their names might be, I find these things become more concrete as the drawings develop.

In between project work, I’m also trying to do the odd one-off illustrations. They may not be my best work, but I find it is nice just to finish something when everything else I’m working on is developing. Some Ideas I pluck from thin air, (such as the lady in the dress), others are part of a Draw It In Your Style Challenge (this one is Matcha Girl set by Iraville).

I had planned to take part in the By Bun April Art Challenge, but in the end only did the first two days, here is day two – Knotted (the brown paper was intentional, I wanted to worked on a textured surface).

I’ve also used ArtPrompts.org (The girl with the toys came from the prompt “An adorable little girl with two adorable little heads” – I took that to mean that she had two heads, but I decided to take it in a slightly different direction) .

So that is where I am at right now. I think I may add a couple of posts on two things I’m passionate about soon - picture books and purchases from independent designer/makers. I get a lot of happiness and inspiration from books and independents so it feels right to give them a shout–out, so keep an eye out for that.

Until next time – bye!

A Kids Comic – May 2019 Update

I thought the start of this year was a slow one, but once February was over, time seemed to speed up – how is it nearly June? I really need to blog more, the lack of consistency is embarrassing!

So the challenge I mentioned in my last post was a comic that I wanted to create for the son of my friend, for his birthday, (if you look back through the tiny amount of posts, you will see that last year, I ‘kind of’ produced a picture book for his birthday – which was late!). I’ve not really attempted to create a comic before – I did a two page comic strip based on fears last year (mentioned two posts ago), but that was based on a very loose concept, where I created the story at the same time as the drawings. This time I wrote a basic story outline first (telling myself it would probably be no more than four A4 pages at the most), then I wrote it out in more detail, creating the narration and speech, and making a few quick scribbles of images that I might include.

(The story is an origin story, inspired by several other superhero stories, about a bunch of kids who love superheroes).

Page 3 of Eight Legs Elliott

I’ve heard some comic creators/graphic novelists mention in interviews how they plan pages as they go, rather than planning all of the content and flow in advance, and this always sounded crazy to me. I am a big fan of planning and working out a structure to make sure everything … works! So it was strange to suddenly find myself winging it, planning each page as I got to it. I’m still not sure it was the best way to go about it, but as usual with birthday gifts, I knew if I took the time to plan it all out in advance, it would take me longer and I would miss the birthday. It turned out okay, I would have liked to have filled all the pages neatly into a multiple of four, but I ended up with one blank back page – I figured it couldn’t hurt, (of course it does hurt, every time I think about it, it irks me).

Page 5 of Eight Legs Elliott

The four–page comic that I had envisioned turned out to have 23 pages. It took me much longer than I anticipated, partly because I took the opportunity to familiarise myself with Procreate at the same time (I also took the opportunity to get myself through Gilmore Girls while I coloured things). It was definitely a challenge (the comic, not Gilmore Girls… although), it is really hard to fit everything together, and I feel like I’m only at the beginning of a lesson in comic book fundamentals (as well as Procreate).

Page 9 of Eight Legs Elliott

I am pleased with the end result, but I am also aware of how flawed it is – I have no idea how graphic/comic illustrators keep their details so consistent, I went through looking for mistakes multiple times and I still missed a whole bunch – but I think I have the bug now, I would like to do another, I want to learn more and I know I can do better! It’s just one more thing for the ‘to-do’ list.

Getting Back Into It And February Distractions (Iceland) – (Jan/Feb 2019)

I always think that when a new year rolls around again I’ll be prepared, ready to go, it happens at the same time each year, it shouldn’t take me by surprise, yet I’m rarely ready or motivated – I blame it on Christmas over-indulgence, it makes me sluggish – anyone else? So 2019 got off to a slowish start, I gave my office/studio space a bit of a clear-out and a move around, I had planned on doing it between Christmas and the New Year but I was too busy indulging my inner sloth. In the back of my head I was also distracted, I was aware that Rob was turning 40 mid-February and the plan had been to go away, but as we hit January we still had nothing booked - eek!

A sad little character!

That isn’t to say I haven’t been doing any illustration. My plan is to create a range of five characters for my next portfolio/site update, and one of them came to life in January, you may have seen her pop up on instagram a few times already. She doesn’t have a name yet but the more I draw her the more she seems to come to life. Weirdly I’ve also dropped my watercolour inks (for now at least) in favour of coloured pencils. I’ve never enjoyed using coloured pencils, but one morning, in an effort to throw my brain a curve ball, mix it up, I tried to ‘scribble’ with a coloured pencil instead of sketching super carefully over and over again with a mechanical pencil, and something seemed to work – I think – so for now I’m rolling with it. I still need to pull together a few more images, but I got distracted…

Flying into Iceland along the western coastline

… we finally did book a holiday – to Iceland! It was fantastic. Being a bit last minute, and not having done any research on what to do or where to go, we decided to go with the pricier option, and let Scott Dunn organise it all for us. This did make it expensive, but it was lovely not to have to worry about the logistics of booking planes, hotels, activities, transfers etc, it was all there in an itinerary. Not that we had to follow the itinerary once we had caught our plane as we had our own private guide to drive us around, take us where we needed to be, when we needed to be there (this next bit is going to be quite long, so if you have no interest in Iceland you should probably stop reading here – illustration based content will resume in the near future – Also, I apologise if any of the locations I’ve mentioned are wrong as I didn’t take note at the time, or if any names are misspelled or missing diacritical marks/accents, my keyboard seemed to refuse to put them over certain letters) .

Our room at Hilton Canopy Hotel

We arrived on a Saturday afternoon and were driven to Hilton Canopy Hotel in Reykjavik, which was our home for two nights. We had a couple of hours to ourselves in which we were supposed to explore Reykjavik as we were being picked up at 9pm to go searching for Northern Lights. We didn’t actually get far, we decided to catch the last ten minutes of happy hour in the hotel bar, then went to see if they had any space in the adjoining restaurant to save us the problem of aimlessly wandering in a new place, not being able to decide where to go. After a relaxed (and delicious dinner) we layered up for the evening. Sadly we only saw a hint of the lights, but it was still quite the adventure, driving around various snowy ‘summer’ roads, trying to find nice dark spots in the countryside in case the lights appeared again, and hoping not to get stuck in snow drifts that make the roads impassable.

Ice pushed up on to the shoreline of the lake

On day two we were driven to a variety of spots on the bottom western peninsula of the island. We visited Kleifarvatn Lake, Krysuvík (geothermal fields and hot springs), and Selatanger beach (completely tourist free), before grabbing lunch from a supermarket in Grindavík and heading to the cliffs on the southern edge of the Reykjanes Peninsula – stunning views.

We spent the afternoon at The Retreat at The Blue Lagoon. I know the Blue Lagoon is a tourist trap, I know it is a silly amount of money, and you know what I really don’t like pools and spas and stuff like that… yet I loved it! We didn’t actually go in to the more public Blue Lagoon, we stayed in The Retreat. We had intended to go and have a look, but four hours flew by and we just didn’t get around to it. We had our own room, which is yours to shower and change in and then leave your stuff in for the whole four hours. We floated around in the little pools, we took part in The Ritual, which is a three stage face and body mask experience. We were given iced tea during this, while we were waiting for our silica masks to dry, I was pretty dehydrated so took it gladly, but it definitely had a liquorice/aniseed flavour so Rob gave it a miss. After we had finished The Ritual we still wanted a drink so got directions to the bar. On our way we saw people in a pool outside with drinks and decided we wanted to make our way out there. Luckily the door outside was next to the bar, so we were given our complimentary drinks in plastic glasses so we could take them out with us. There is nothing like drinking a mimosa outdoors in a hot pool. We had to pay for our second drink (but you wear a wristband that is scanned if you make any purchases and then you pay as you leave), but there is a little wooden door in the corner of the pool with a menu next to it, and someone inside comes and opens it to take your order – so we had to do that.

Feeling a little fuzzy after the second drink we decided to leave the hot water and head inside. First we visited the fire room, there is a lit fire in the middle and it is surrounded by seats and day beds for lounging, but that was a little too warm, so we headed to the swinging nest seats made for two. We thought we would go for another dip before getting changed but we were so relaxed we stayed in the nests until we had to leave. Four hours flew by, we even missed a couple of the rooms. It is without a doubt an expensive afternoon, and had we booked all our own activities and seen the price, we never would have gone, but I’m so glad we did, and if we visit Iceland again, I would save my pennies and make a return visit. It wasn’t too busy, just a handful of other couples were milling around (maybe we just timed it right), the staff were all really friendly, the atmosphere was so calming, lots of big glass windows so you could see the warm blue pools outside, but also lots of dark earthy tones and subdued lighting mirroring the volcanic landscape in the surrounding area, it was just a lovely way to spend an afternoon and a lovely way for Rob to spend his 40th.

Day three saw us jumping back in the car and heading a bit further east. We stopped at Lögberg to see the site of the first Icelandic Parliament, there were quite a few tourists, but it still looked really pretty in the snow and we had a nice little walk over the bridges and along the river.

Our next couple of stops were very much on the tourist route, but you couldn’t not join them. We stopped at the geothermal geyser at Selfoss, where like an idiot, I thought I’d pressed record on my phone as it erupted, only to find out later that it hadn’t worked.

Our next tourist hotspot was Gullfoss – a big ol’ waterfall. It was pretty impressive, but not as impressive as the wind that we – and what appeared to be all the tourists in Iceland – had to battle with in order to reach the viewing platform, I’ve never been so grateful for my short sturdy legs, it was pretty hilarious.

A new furry friend

For lunch we were booked in at Friðheimer Tomato farm in Reykholt. We were given a short talk on how they farm tomatoes in Iceland, as well as a trying a couple of varieties of tomatoes and a delicious drink made from green tomatoes, lime, honey, ginger and sparkling water (it sounds a bit odd but it was cooling and refreshing, which isn’t a bad thing when you are having lunch in a greenhouse while dressed in your winter layers!). Our package included the tomato soup with bread, we were welcome to add something else from the main menu if we wanted but the soup was more than enough, it was the best tomato soup I’ve ever eaten. We also had a pudding – apple pie, (although I’m not sure you can call it a pie as it didn’t have a top, it was more of a pot of pie filling, it was a mix of chopped apples and green tomatoes with sugar and cinnamon). If you had asked me beforehand, I would have screwed my nose up at green tomatoes, but it turns out they are quite versatile. The farm also breeds horses, so we stopped to say hi to them as we left.

We ended the day by stopping off at one more waterfall, Urriðafoss. Smaller than the first waterfall, but no less beautiful, especially covered in snow and ice (the colours in my photos really don’t do it justice). The other added bonus is that it is far less popular with tourists, so it gave Rob the opportunity to take his time taking photos. The sun was starting to go down so there was also some beautiful light.

The view outside of Hotel Ranga

We then continued on to our second hotel, Hotel Rangá. More rustic than our first hotel, but just as lovely and friendly. We were really impressed by the owner, Thor, who takes the time every evening to introduce himself to his guests by visiting each table in the restaurant, it was a nice personal touch – he was also around during breakfast service making sure that everyone was happy and things were running smoothly. The idea with Hotel Rangá is that you are staying in a more rural area, so should the Aurora Borealis appear the staff can call your room to wake you up and let you know. Sadly they it didn’t appear during our stay but that is just the way it is, these things can’t be predicted.

We started our final full day by visiting Seljalandsfoss - another busy waterfall, although as we were there fairly early, it wasn’t too bad. Usually, during the summer at least, this waterfall is popular because you can walk behind it, but during our trip not only was it very icy, but there was also a risk of thawing, so no one was allowed too close in case they either slipped and fell, or had giant clumps of thawing ice fall on them.

Our second stop was a lighthouse at Dyrhólaey, and boy was that a windy pit stop, our guide had to hold the car doors for us when we returned to the car – I’m not even sure how he got his door open without any help and then climb inside without trapping a limb. Again it was pretty busy, there were great views (if you could open your eyes for long enough), I didn’t dare take my phone out to take a photo, I just knew that it would blow over the side of the cliff if I did. We then made another stop just down the hill from the lighthouse where we could enjoy the views without getting blown away.

From Dyrhólaey we took a short drive round to Reynisfjara Beach, it has a wonderful big cave in the side of mountain Reynisfjall at one end, which has a fantastic basalt columned wall, unfortunately it is also super popular with tourists, so it was impossible to get a photo due to people sitting on it etc. People seemed less interested in the basalt sea stacks (Reynisdrangar) – which were awesome – and the rest of the near empty beach. While we were there we also had some fantastic changing light and cloud, we actually waited on one spot for quite a long time so Rob could take a picture of a rainbow… then we gave up, and as soon as he picked up his camera and turned away it appeared! It was okay – he caught it before it disappeared again!

For lunch, we drove around the corner from the beach to Iceland’s southernmost village, Vík. We stopped at the big restaurant/shop/cafe building, purpose built for the influx of tourists. Commercial but incredibly convenient, we had a wonderful soup which, if we had wanted more, was bottomless. I also bought a hand knitted Icelandic jumper, I checked the price with our guide (I wanted to make sure it wasn’t over-priced seems as we were in a tourist shop) he said price was middle of the range, so I knew I wasn’t being ripped off. He then helped me choose one, making sure it was a good fit. It was an expensive purchase – it probably worked out at around £120/ £130 – but it is knitted entirely by hand and the label attached even told me the name of the knitter (which I thought was nice), I absolutely adore it (I pop it on whenever I’m feeling chilly), and for all those reasons I think it was well worth the price.

Post lunch and shop we were taken a little further along the road from Vík to another black sand beach, I’m not sure of the name, but I think it was somewhere near Kálfafell. This one was completely empty, it was amazing, we couldn’t actually see the sea but parked up by a huge cliff face filled with birds. We could see a main road in the distance but it was almost like being on another planet. We then did a bit of off-road driving to get us back to the main road.

As we started heading back in the direction of our hotel we stopped at another busy waterfall, Skógafoss. This one has steps up the side so you can walk up to the top, but after a few days stomping around in my Sorel Caribous, my dodgy knee wasn’t up to it. So after a quick stop and few photos our guide drove us to a track just off the main road, almost directly opposite Skógafoss which leads down to another vast, completely empty beach (it was quite a fun, fast drive down to the water), I don’t think it is signposted and the only other people that tend to go down there are the super jeeps that give tourists a thrilling ride along the sand (we just saw the one jeep, just leaving as we turned on to the track). It was such a beautiful empty space.

Our very last stop of the day was to a little waterfall back by Seljalandsfoss (just a short walk along a path). Our guide thought it would be nice to break the two waterfalls up, and also leave this one until the end of the day so there were less people around, as to see it, you have to walk a little way along the river bed through a cave entrance. When I say walking along the riverbed, what I mean is stepping on to large stones and boulders, they aren’t actual stepping stones, they are a bit uneven and some of them are loose, so for a short person with short arms and legs it was a bit challenging as I couldn’t reach the wall to balance myself as I stepped. In the end I gave up and just walked the last metre or so through the shallow water – it turns out one boot is slightly leaky! It was really fun though, and cool to see water falling into a cave-like space instead of being out in the open. On the way back out, Rob gave me his camera tripod to use as a walking pole – that made things much easier!

I’m already itching to go back to Iceland, I found it magical. We didn’t see much of Reykjavik because we were only there at night, but it felt quite small and quaint yet bustling, so we would love to explore it some more. We completely fell in love with how once out of the city, so much of the land feels raw and untouched, and the ever changing winter light was stunning. Sure there are a lot of tourists (including us) going to all the same spots, but it feels like the bits we have ticked off were just the tip of the iceberg. We would like to return at a slightly different time of year – not the height of summer, as we have heard that it gets horrendously busy – but it would be great to see the land during a different season, without as much ice and snow.

We will have to start saving now, as the only other thing to keep in mind when visiting Iceland is that it is expensive. If you budget by thinking how much you would expect to pay for something in the UK and then roughly double it, you’ll probably get some idea of how much you can expect to spend, it is however worth every single penny.

The rest of February has seen me hit pause on the character development while I spend some time trying to get used to using my ipad Pro and Procreate. I’ve tried a couple of times before but it has never felt quite right, so I’ve set myself a bit of a challenging project which will hopefully push me through the awkward stage. I’m not planning on giving up my traditional mediums – I think I will always love them first – but I think it is important to keep digital skills fresh, it is another great tool/medium. I’ve also finally updated to the latest Photoshop (from CS5) so I think I need to work on a few tutorials, just to make myself familiar with the updates and changes… give it a couple of weeks, I’ll be craving the feel of paper, pencil and paintbrush again! :)

End of Year Update - 2018

I guess technically we aren’t quite at the end of the year, but lets face it, it is unlikely I’ll post again before we hit 2019!

What have I been up to since August? Well, as well as continuing with a few watercolour ink portraits, I visited the Lake District at the end of September for my birthday.

As usual we had a great time visiting Grasmere, Whinlatter and Coniston Water, and this time we finally made it to Buttermere too, (it was a gloriously sunny day!).

For my actual birthday we visited The Lake District Wildlife Park; that wasn’t gloriously sunny, it was grey, damp and drizzly, but it didn’t matter because we booked a Lemur Encounter - I highly recommend everyone stroking a lemur on their birthday!

Once we were back home I hit the ground running with Inktober. I failed miserably on my first attempt last year, but this time I was organised. I used Jake Parker’s Inktober prompts and sneakily completed my sketches before we went to the Lakes, so all I needed to do was trace and paint them… The only snag was that I would be starting a five week MATS course mid-October and I didn’t want to be trying to juggle both, so I traced and painted all 31 in the first eleven days of the month.

I tried to keep everything simple, so I stuck with the same little character, a witch called Hattie who is always getting things wrong. I hadn’t intended to stick with one character throughout the whole month initially but she appeared in the first sketch and it just seemed the most obvious thing to do after that - less time spent coming up with ideas, less time thinking about palette, less time wondering how to draw a panda juggling on broken bike etc. (although maybe I’ll do that next year). I think maybe there were memories of Mildred Hubble seeping out from my subconscious, I used to love the Worst Witch books!

During those eleven days I also decided to throw in another Gish challenge about fears, so I decided to create a two page comic strip on the subject. I haven’t actually done any kind of comic strip before, but after listening to Dan Berry’s ‘Make It Then Tell Everybody’ podcast I’ve been inspired and have become really curious about using it as a way of telling stories. It is definitely something I would like to look into and experiment with.

My last main task of the year was the five week ‘Make Art That Sells’, ‘Illustrating Children’s Books’ course. I’ve written a separate post about it which goes into more detail, but basically the course helps you develop a series of images that can be used in your portfolio to help pitch your illustration work. I guess the course is as intense as you make it, it is up to you how much work you do, but I tried really hard, getting up early, working all day and also a majority of evenings, other stuff like cleaning, some cooking and life in general got put on hold. There has been a lot of information to absorb, I need to go back through it all, but mostly I was surprised by how much I could produce in what was a fairly short space of time.

I’ve now caught up on all my Christmas stuff, I’ve tried my best to buy from as many local businesses and independent makers as possible - I love seeking out individual gifts that people may not have come across before. If I remember, I want to take pictures of the things I’ve bought so I can share a bunch of creators in a post in the new year, (I can’t do it now because it will spoil all the surprises). So until then, Merry Christmas and a Happy New Year!

Making Art That Sells - Illustrating Children's Books 5

During October and November 2018 I took the five week ‘Illustrating Children’s Books’ MATS (Make Art That Sells) online course hosted by Lilla Rogers and Zoë Tucker. I thought it might be nice to share my experience here in case anyone else is considering this course, or just looking for a children’s illustration course in general.

The aim of the course is to assist you to produce several pieces of work for your portfolio to help pitch your illustrations professionally. Just before the course begins you are given three texts (children’s stories written by Lilla and Zoë) to read through, so you can decide which you would like to work with. You are also given access to a Facebook Group specifically for members of the class. This means that throughout the course you can chat with your classmates, share with others what you are working on, and find and give support. I found this group to be warm and friendly, but it is quite large so sometimes posts can get swallowed up quickly. I personally also found it a bit addictive so by the end of week three I had to cut back on posting and replying because I was getting distracted - with the class being global there was always someone on there to talk to! However it was nice to know that there was a bunch of people in exactly the same creative boat as me.

Each day (apart from Sunday) you are given a daily prompt to work on for ten minutes or so, to help you get started and loosen up, these correspond with the subject that you are working on that week, so it is something that you can refer back to as you work on the main assignments. I found these prompts really useful as they were a great exercise to get you moving each day without all the worry and procrastination, they also reminded me of the importance of drawing from reference, it was good to get back into that practice. The only problem with the prompts that I had was my own lack of self discipline, if I happened to be enjoying a prompt, ten minutes could easily turn in an hour or more.

On Monday you would be given a mini assignment, the aim of these is to introduce you to the main assignment gently, you have two days for the mini and then on Wednesday you are given the main assignment that you have until Sunday to complete. Once completed you upload your main assignment to the gallery on the website (mini assignments can be shared in the Facebook Group), then on the following Wednesday the gallery goes live and you can look through all the work produced by the class.

On the Wednesday after submitting your assignment, Lilla and Zoë do a review of some of the work from the gallery. They choose around twenty pieces and talk through what is great about them and also suggest ways in which they can be improved. You are warned before purchase that not everybody will get personal feedback on their work, so it is up to each illustrator to take the advice from the video and apply it to their own work. Looking at the gallery, I would estimate that there are at least 250 people taking the course, so it just isn’t possible for every piece of work to be commented on, those twenty chosen pieces create a review video over an hour long - you would be there all day if everyone was featured!

Each week you are also given at least one article/interview/video/info sheet a day (apart from Sunday), but most days it is more than one. These cover a range of things such as interviews with illustrators and publishers, articles on how to approach art directors and what they are looking out for, what is actually involved when you get a job (how projects work), as well as guidance on the main assignment. I think this might have been my favourite part of the course, you are basically being told a whole heap of stuff you wouldn’t usually know unless you have been there and done it already. It has given me more confidence on what to expect once I’m happy with my portfolio and I try and find work.

Week one was all about the main character. We began by reading through our chosen text searching for clues about their personality, inventing the accessories we thought they would wear and carry, before we moved on to drawing the actual character. I hadn’t thought of doing this before and it helped me to understand my character more thoroughly, and flesh him out a bit.

In week two we concentrated on emotions and expressions, drawing nothing but the head and playing with how we could convey meaning through the face. This was built on in week three by adding the body and developing poses to go with some of those expressions, trying to ensure that meaning was being communicated consistently throughout the whole character.

During week four we worked on environment with the main assignment being a double page spread. This was the assignment that I was most nervous about. I mostly work traditionally using watercolour ink and sometimes find it difficult to bring the characters and their surroundings together neatly and naturally. The course permits any medium, traditional or digital so I decided to paint each element separately then brought all the pieces together in Photoshop. I am as slow at Photoshop as I am painting, so it still took me ages but it did take the pressure off - if I made a mistake while painting, I wouldn’t have to do the whole thing all over again (whether I’ll continue to work like that I’m not sure yet).

All text in this piece is copyright of Zoë Tucker.

In the final week we worked on the front cover (see top of post). By the final Tuesday, working from first thing in the morning to late most days had aggravated my crummy back and I was having difficulty sitting for any length of time. I felt I had to rush to get the cover done and dusted, which is a shame, but I was still pleased that I finished every assignment - I uploaded the cover on the Friday and I can’t lie, I was happy to have a free weekend back after four weeks without one!

So was it worth it and did I enjoy it? Yes it was and yes I did (I even had a tiny cry at it after I uploaded the final assignment… or maybe I was just overworked! :) ). It is, if you want it to be, a lot of work, the amount of information given to you and the amount you are asked to do is intense, but I also found it great fun and exhilarating to be part of something, and to have set deadlines and goals. I was also surprised by how much work I actually produced in five weeks. Although I wasn’t entirely happy with my character and aspects of my other assignments, I now feel like I have a better idea of what things I need to change and work on in order to improve, and I’m looking forward to working through all the downloads and absorbing all the information and advice properly. I now also feel more confident about what my next steps will be once I am happy with my portfolio, I feel like I’m in a position to make a plan.

Were there any negatives? Not especially, but it is worth taking note of a few things that might make you feel a little negative personally, what with us creative types inclined to be a little more emotional or sensitive than others. Firstly, the course is quite a lot of money, that’s not to say it isn’t great value, but if you are going to spend your money on it, get the most out of it that you can by committing as much time to it as possible. Also it seems really obvious to me in hindsight, but when you purchase the course, as far as I can remember, the product page doesn't mention ‘may be subject to VAT’, so when I had (just under) an extra £80 added to my basket, it wasn’t the most pleasant surprise!

Secondly, you know you shouldn’t be comparing yourself to others, we all know that, but when you are surrounded by so many different styles and mediums, it can be really hard not to. You will need to have little mantras along the lines of “I’m me, I’m being me, they are doing them, and I am doing me” for the days when you aren’t feeling so confident. My experience, (and from what I can tell the experience of a lot of people in the Facebook group), is that the course is a bit of an emotional roller coaster, one minute you are motivated and enthusiastic and the next you feel like a sack of crap (we all have some kind of pesky doubts right?), it is a great practice for pushing through and continuing to work while you are feeling like that sack of crap. Of course the other side to there being so much other work to compare yourself to is that it is really inspiring - there is so much eye-candy.

I think the final thing I want to mention goes back to the review. My work wasn’t chosen for review, and while you know that statistically it is unlikely, each week you still hope that you are chosen. You don’t even realise that you were hoping until you aren’t in there and then you feel disappointment. It is pretty weird to feel disappointment for something you didn’t know you were hoping for… it isn’t the best feeling, but it isn’t the end of the world either, you soon get over it, you don’t have time to dwell on it, you have another assignment to start! I just figured I wasn’t standing out enough, I wasn’t hitting the mark, and if I’m honest with myself that is perfectly fair, I need to improve - and I will.