August 2022 - Saying Goodbye To Some Of The Greats

There has been some sadness within the last few weeks, quite a few well-known people have passed away, notably three people who had a huge impact on some aspect of my childhood.

Firstly, Bernard Cribbins was the voice of my childhood. I would always find such joy from listening to him on TV and on audio cassette, bringing some wonderful story to life. No one can forget Jackanory and The Wombles, but one of my other favourites was Moschops. He was someone who could just magically appear anywhere from Super Gran to Last of the Summer Wine, and it made me so happy as I have grown well into my adult years, seeing him in Doctor Who and Old Jack’s Boat. I don’t have any of my audio cassettes left – they were not built to last – but the one that I do remember, which was narrated by Bernard Cribbins was Bertie’s Escapade, (written by Kenneth Grahame and illustrated by Sandy Nightingale), in the first christmas editon of The Storyteller magazine from Marshall Cavendish. Everybody loves a christmas theme, and it was probably one of the magazines/cassettes that I read/listened to the most. To me, Bernard Cribbins’ voice meant great character, great humour, and comfort, and I am going to miss that very much.

We also, very sadly, lost Olivia Newton-John. What young girl has not spent at least a small part of her childhood singing and dancing to Grease? I’m not sure how old I was, maybe 10, I would watch it every Saturday, recorded on to VHS from the TV, rewinding and watching my favourite songs over and over again. I sang “Hopelessly Devoted To You” a lot, sadly, nowhere near as well as Olivia – she had such a beautiful voice. I didn’t really know much about Olivia outside of Grease, (there is a whole music career I’ve yet to discover, although I do quite like the version of “Baby, It’s Cold Outside” performed with John Tavolta, which switched the lyrics around), other than we shared a birthday, and she always seemed as wonderful and warm as her character Sandy. It doesn’t matter how many other people come along and play Sandy in the future, it will always be Olivia’s role.

Finally, just a few days ago, we lost Raymond Briggs. This one hit me pretty hard. I do have a confession to make though, I didn’t own a copy of The Snowman until I was in my thirties. Shocking, I know! And, what is more, I didn’t like the animation when I was a kid, but it was nothing to do with the story (which is pure brilliance), or the illustrations, or the animation, it was the damn song (no offence, Aled) – I did rather enjoy Father Christmas though. My real love and appreciation for Raymond Briggs, didn’t actually start until approximately 1992, when I was around 11 or 12, and I came across a copy of The Man (published by Julia MacRae Books), while I was spending some book vouchers, up on the first floor of WHSmith, in Coventry.

It has remained one of my favourite books ever since, and I pick it up to read or flip through, often, (Briggs and the Marshall Cavendish Storytellers, along with maybe a handful of other books are the reason I would love to create my own picture books, I feel like I always carry the magic of them inside me).

What I love about Briggs’ work is that his characters always feel so real and fleshed out, and his illustrations can express so much emotion either with or without words. His storytelling is exquisite. I love that as a reader, even when young, I never felt patronised him. His stories felt honest, and he wasn’t afraid of using humour and sadness within the same space, and that to me, felt like life, things aren’t always happy and colourful all of the time, but within sad moments, there can be some light, a smile and little moments to cherish.

In The Man, a peculiar, tiny, adult man appears in a boy’s room one night, naked and demanding to be dressed. He is rude and not the most likeable house guest, but he is also alone, and so tiny that he can’t do things for himself, and he needs help. I appreciated how Briggs examined friendship, building it up and tearing it down, incorporating themes of gratitude, responsibility, vulnerability, generosity, selfishness, companionship, anger and loss, and there was also so much humour. It is a story that makes you feel a thousand feelings, so you come out the other side a little beaten and weathered but grateful. Briggs put everything into his stories, absolutely everything, love, loss, and wisdom… whole lives, and he will be a huge loss.

Life is short, sing songs, draw pictures, and tell and share stories.

August 2020 - Gish 2020, Books and T.V.

We are almost in September and I’m feeling really confused. The year seems to be whizzing by and I can’t seem to keep up, in my head it feels like we should still be in May or June, anyone else feel like that? Admittedly, I have kept myself pretty busy in August. I’ve continued to work towards my picture book pitch, although I am really missing the weekly zoom meetings I had while on the course, it was a great way to stay focused and motivated, and while my motivation has remained high, that little voice of self-doubt has returned, so I end up spending some of my time wrestling that back into its box. At the minute I’m winning, I’m largely doing this by sticking my fingers in my ears and just continuing to ‘do’ (which is quite an accomplishment considering my fingers are in my ears).

The first week of August, for the third year running was the annual Gish scavenger hunt. It took a few days for me to get into it this year, I think my head was still thinking about my picture book, and it was quite hard to just drop that for a week and concentrate on other random tasks, but I did, and by the Tuesday I was in full Gish mode. I only managed six items this year, which was slightly disappointing, but I did spend a ridiculous amount of time on a wedding dress made from plastic bags. Other items of note included a stop-motion animation showing you planting a “seed” that grows into something unexpected, a poster of the Queen and actor Misha Collins as a famous duo from a scene in a classic film (I chose E.T.), and a cryptid created from salt (I chose a kraken).

I was really pleased with how the dress turned out, and I was surprised by how much I enjoyed creating an illustration in salt. I’ve created images in spices and in pencil shavings for Gish before and they both went okay, but there is actually something really satisfying about pushing salt around, its much easier than working with powdery spices, and as I was working on black paper, I really enjoyed the contrast of black and white.

I tried to be more sensible with my book buying this month (although I say that most months and it still seems to get out of hand), so my question is, is seven still too many? I fear it might be, considering how long it has taken me to finish Girl, Woman, Other. When I was younger I always had the problem that I would race through a book and finish it far too quickly if I was really enjoying it, and then I’d be disappointed that it was over. Now I have the opposite problem, if I’m really enjoying a book, I savour it and try to make it last for as long as possible. It is a bit like Charlie Bucket when he gently unwraps his Wonka bar, although he never necessarily knew where his next chocolate bar was coming from, and I have unread books coming out of my ears!

So the books I’ve actually finished reading this month are:

Girl, Woman, Other by Bernardine Evaristo.
Brilliant, so many different stories about women, so many different lives, such great observation of people, and I won’t spoil it, but I thought the ending was wonderful.

This Was Our Pact by Ryan Andrews
I’ve mentioned this in a previous blog, I’ve had it for such a long time, but it fell victim to the “oh this is so beautiful I need to save it” daft method of thinking. I finally read it and it was as wonderful and as adventurous (and beautiful - obviously) as I hoped it would be.

The Fox, The Wolf, and The Woodsman by Joe Latham
I’ve had this for a while too. It is a great book split into three chapters exploring the perils faced by creatures living in a wood. The illustrations are just wonderful and I love how Joe tells the stories silently, through images alone. I have an idea in my head that I would like to write a wordless picture book, so I have found looking at these images and seeing ‘how’ and ‘what’ they communicate really fascinating.


The book I’m currently reading:

The Mercies by Kiran Millwood Hargrave
I haven’t got very far yet, but I am enjoying what I have read.

The books I’ve bought his month are:

The Glass Hotel by Emily St. John Mandel
I really enjoyed Station Eleven so I thought I would give this a go too.

Smoke by Dan Vyleta and Soot by Dan Vyleta
I have no idea if I’ll like these books, so took a bit of a punt by buying both of them, but I liked the cover designs, and I really like the concept of bad thoughts being made visible by smoke coming from the body.

Llama Glamarama by Simon James Green and Garry Parsons
A dancing llama learning to embrace his individuality? What is not to love???

The Midnight Library by Matt Haig
I love Matt Haig, I follow him on Twitter and he always seems to have some wise words to share. I’ve also read most of his children’s series starting with The Boy called Christmas, which I love, but I’ve never read any of his adult books. I don’t know why, I’ve always been interested in them but I’ve never ended up buying one, until now - you put the word Library in a title and you push me to make that purchase. I actually ordered my copy from Rossiter Books as it was signed, and if you are interested, when I posted this blog (August 2020) there still seemed to be some available - here. (This was actually one of my instagram impulse purchases, after Rossiter Books posted about it on their feed).

Walking Distance and The Way to Treasure Island by Lizzy Stewart
Speaking of Instagram impulse purchases, Lizzy Stewart mentioned she only had a few copies of Walking Distance left in her shop, and I’ve been meaning to buy it for ages, (and I would much rather give my money to Lizzy than Amazon), and then I accidentally tripped and popped a copy of The Way to Treasure Island in my basket too. I’ve loved Lizzy’s work for years, I used to follow her illustrated blog/diary “Solo”. I have three zines from Solo that I probably bought back around 2012 (ish), I loved Lizzy’s combination of image and a few well chosen words that could communicate so much humour and warmth, and they were just such beautifully observed snippets of life.


What have I been watching this month:

Umbrella Academy Season 2: It feels like we had to wait such a long time for season 2, but when it was finally here, we binged it and really enjoyed it. I feel like the characters had the opportunity to develop this season. Klaus has always been a favourite (Robert Sheehan has been a favourite since Misfits), but I felt like Luther was given the chance to be really funny, and I loved being able to see more of Ben. I also enjoyed the addition of Lila, and I’m really excited to see the direction it seems to be heading in. (I haven’t read any of the comic book series and now I’m watching it, I won’t read any until it finishes, as I don’t like to mix up my TV adaptations and my reading, it’ll just lead to some kind of spoiler or disappointment, I keep them separate).

Tales From the Loop: Firstly I love that this is inspired by an art book by Simon Stålenhag. His art is so captivating, his worlds so believable and intriguing, that they made a television series from it, that is just amazing! Secondly, I love the slow, quiet pace of the episodes, how there are whole chunks without dialogue, and the story, the mood, the feelings and opinions you have for a character can be created through visuals alone. I also like how each episode is like a short story for a different character, like we are having a secret little snoop into people’s lives. I can see a lot of people not giving it a chance because it isn’t as loud and brash as programmes we are used to watching, which is a shame because I have found it to be beautiful and nuanced and really inspiring.

What is coming up? I can see September being busy. We will hopefully be seeing some of my family for the first time in months. It’ll be my birthday, although we aren’t planning anything too exciting, this year has taught me not to make too many plans or get my hopes up. I hope to work a bit more on my picture book and potentially start on another story or two. September also usually sees me start planning for Inktober. Anyone who can take part in Inktober, for every day of October without any planning has my respect, if I don’t have a plan I end up spending far too much time on each illustration each day and I fall behind. I’m also tempted to try a few prompts by Furry Little Peach this year too, we will see how I get on, I have a habit of giving myself too much to do! I also want to get back to my Little Mouse Illustrations, he has taken a back seat recently, but I have a whole load of roughs that I need to complete, I’ll let you know how I get on!



All thoughts are my own, I’m not affiliated with anyone mentioned, all purchases were made with my own money and links take you to the sites I either personally made purchases from or that at the time of posting offered the cheapest price. You may prefer purchasing books from independent retailers.

All images are my own ©Dawn Bevins-Johnson 2020

June - July 2020 – Intro to Children's Publishing Course and Buying all the Books!

So much for a monthly blog post! Here is a round-up of the last two months!

Lockdown may have eased a lot in the UK now but I’m still sticking pretty close to home, I find myself thinking that I’ll put something off for one or two weeks more just to see how things go. Maybe I’m being too cautious but I don’t feel trapped or like I’m missing out on anything yet, even though I’ve been staying in a lot. I think this is mostly down to taking part in an eight-week course during June and July, called “Intro to Children’s Publishing” hosted by editor Katy Flint. The course involved a weekly Zoom meeting and homework to continue with during the rest of the week. It was limited to ten participants, which made it feel friendly and intimate, rather than intimidating, and I felt that it was a really useful, informative and encouraging course, which helped to build my confidence.

I made many notes and sketches during the eight weeks!

The course is for both authors and illustrators and its main aim is to give you the knowledge and tools that you will need to approach agents or publishers with your children’s book pitch. In the first three weeks we looked at how a publishing house works, we were given guidance on what a pitch might look like, we looked at how words and pictures work together, and how we could spot trends and gaps in the market.

Playing with some character expressions.

The following fours weeks saw everybody start to develop their own ideas for books (fiction or non-fiction) so they could start working towards their pitch. In week five, six and seven the group then split in two, the authors in one group and the illustrators in the other, so we could discuss the progress of our book ideas in a smaller, more manageable group.

In the final week we discussed how pitching works and who you might pitch to, as well as what to do when facing rejection.

Throughout the course Katy gave a number of talks, but there were also three guest lectures with Q and As. The first was from an art director, the second was from an author and editor, and the final Q and A was with a campaigns manager. It was fantastic to hear from a range of people working in the publishing world, learning what their job role entails and being able to pick their brains.

This course included an abundance of useful information, but I think the reason why it felt so special was down to Katy herself. You can tell how passionate she is about children’s publishing, and how hard she works so she can share her knowledge and experience with those who are new to the industry. She is friendly, approachable and encouraging, allowing everyone space to grow and gain confidence, and has even offered individuals some of her time following on from the course for a month. I’ve never come across such personal dedication from someone running an online course before, she goes above and beyond, making this course a priceless opportunity for anyone interested in creating their own children’s book and pitching it to a publisher.

If you are interested you can find more information on Katy’s website here. I participated in the very first outing of this course, so it is likely to alter and develop slightly over time, but I have definitely found it to be great value for money.

Getting back into narrative drawing during the course has also motivated me to get a bit experimental with my images, so I’ve bought some Sennelier Soft Pastels. I haven’t used any kind of pastels since college because I’ve always hated the mess they make, but for some reason I’m now being drawn to them, so I’m hoping to overcome my creative nemesis!

One problem I’ve had with taking part in a course about children’s publishing has been the need to buy more books! Of course, when I say “need”, it was in no way mandatory to buy any books for the course, but I used it as a good excuse to go wild! A couple of the books in the image were mentioned during the course, but most were already on my wish list, I just decided that my wish list was a great opportunity for learning! :)

Moving on to other books, I’m finally reading “Girl, Woman, Other” by Bernardine Evaristo, (it really is taking me a while to work through my TBR pile), and I am absolutely loving it, there are so many different strong female characters and stories to explore. I admit it took me a couple of pages to get used to the lack of capital letters and full stops, and the odd line breaks, but I found I soon fell into a steady reading rhythm where none of those things seemed important anymore.

I’ve also added two more books to the TBR pile, the first is “Why I’m No Longer Talking To White People About Race” by Reni Eddo-Lodge. After the death of George Floyd and the wave of energy through the Black Lives Matter movement, it seemed irresponsible and callous to not sit up and listen or try to do more. I have been taking in so much information, and learning so much from people generously sharing their knowledge on instagram, but I need to do more, I need to learn and understand more and unlearn even more, as I now realise how flawed the society I have grown up in, is.

The second book I bought was The Diet Myth by Professor Tim Spector. Tim is the leader of a microbiome project which has used genetic sequencing in twins to study gut bacteria, (fun fact, my mum and aunt - twins - took part in some of Tim’s twin studies years ago, and still sometimes fill out questionnaires, apparently, according to my mother, Professor Tim was quite the dish!), and as someone that definitely has a peculiar gut I’m interested in what he has to say. This book is a few years old now (published 2016), but Tim has a new book “Spoon-Fed” being published at the end of August so I thought I’d try and get this one in first before reading the next one.

My final book purchase was a birthday present to myself, A special edition of “Pens Ink and Places” by Quentin Blake. I’ve seen this edition online before but it is pretty expensive, but The Tate Shop were selling it in their summer sale with £45 off, so I took it as a sign from the universe that I should get it, and I’m so glad I did, it is beautiful.

My parcel from Mini Gallery Box finally arrived in June, I pre-ordered it months ago, but the lockdown in France (where it was being sent from) meant that even their post offices were shut down, so nothing could go out at all. This was my second Mini Gallery Box purchase, the first featured artist Leigh Ellexson. Each box features some prints, a mini magazine about the artist and a few other items such as pins, notebooks and pencils cases. The artist featured in this box was the Ellie Vs Bear, and it was well worth the wait as it is adorable! I just love those blues, pinks and purples.

Finally we move on to my Instagram impulse purchases! Firstly we have the sensible rather than impulsive purchase of face masks. I bought a couple of plain linen masks from Helen Round for when I feel like blending in, and then two gloriously patterned numbers from Esther Blessed on Etsy. The impulse purchase was the wonderful Esther Blessed wraparound skirt, just look at those colours and the pattern. Now, I don’t wear skirts, I gave up wearing them years ago when they were either too long, or would work their way up my chest as I walked and I had to keep pulling them down. However, a wraparound skirt seems to be the answer, it stays where I put it and will keep me that bit cooler this summer.

My next impulse purchase is this beautiful shades of Indigo rainbow by Natasha Newton. I’ve loved her paintings for years, and I’ve always wanted an original. I would, one day, still like to purchase a canvas of hers, but boy do you have to be quick if you want to buy any of her work from her online shop. I felt very lucky to be able to purchase one of her three rainbows this time around.

Only two more impulse purchases to go! I’m a big believer in supporting picture book illustrators and authors, so as soon as Dapo Adeola mentioned on instagram that his personal online shop was open again for a limited time, I jumped at the opportunity to buy this bundle, a signed copy of Look Up!, a print of Rocket and a pin of Rocket – they are awesome!

And, my final impulse purchase, which was actually prompted by a stock alert email (rather than Instagram), is my new mustard Glosters mug. Glosters mugs have also been flying off their website as soon as they put new stock up, and recently I’ve either not had the money to spare at the right moment, or I’ve been too slow, so I’m so pleased to have nabbed this beauty!

Finally I’ll leave you of a few images from my early morning walk the other day. We went to Black Down for the first time since lockdown, and it was glorious! It was also my first time in the car in ages… which weirdly didn’t feel like it had been that long! I am actually really bad at getting up early, it knocks me sideways for the following four days, but nothing beats early morning air!

All thoughts are my own, I’m not affiliated with anyone mentioned, all purchases were made with my own money and links take you to the sites I personally made purchases from. You may prefer purchasing books from independent retailers.

All images are my own ©Dawn Bevins-Johnson 2020

Hello 2020 – Recent Work and Christmas Book Haul – January and February Update

I’ve just had a quick read over my last blog post, and December 2019 Dawn was so looking forward to getting her teeth into the New Year! Little did she know that she would see 2020 in with some crappy throat lurgy that forced her to swallow liquid Nurofen because she couldn’t face swallowing tablets. Thankfully, after staying in bed for most of New Year’s Eve and taking children’s medicine, I managed to make it to our friend’s house in the evening, and then stayed up until 2 am. I’m not saying it was the best idea as far as my health was concerned, but I didn’t lose at Jenga, and I won at Cards Against Humanity (I’m not entirely sure what that says about me), and had a lovely time - I just slept for most of the next two days.

After that bumpy start, I spent the rest of January trying to catch up. I finally updated the work section of this site. I added a few new illustrations that I had been working on, removed a few older pieces and changed some of the sections around. I’m still not entirely happy with it, but I have a clearer idea of where I’m headed and what sort of work I’d like to add to it next.

Illustration-wise, I finally got around to drawing my final (for now) Millie illustration. You may remember from previous blogs, that Millie is a red-headed character that I started drawing at the beginning of 2019. Some of the illustrations can be seen in the ‘work’ section. I’ve quite a collection of scenes that show different things going on, but now I want to pause and consider writing a coherent story that the illustrations seem to be hinting at.

I’ve also been working on some more Ollie the Acorn illustrations. Unlike Millie, who started as a character illustration without a story, Ollie started as a story first, and I started drawing him and getting to know him afterwards. The only problem I’ve found with working like this, is that in my head I think I’ve already created more illustrations than I actually have. It was a bit of a disappointed to realise that I only had four and a half (one I’m not happy with which I’m ditching), I thought I had about twelve! Still that means I have a healthy looking “to do” list to work through.

As you may have seen in previous blog posts, I’ve been participating (successfully) in Jake Parkers Inktober for two years now, (Inktober is a drawing challenge where you are given a different prompt for every day of October), last year I created circular illustrations of a variety of child characters, and the year before the illustrations were based on a witch character called Hattie. Jake Parker has now decided to make Inktober more of an all year affair, by introducing Inktober 52. Inktober in October will still continue, but Inktober 52 will offer a weekly prompt all year. I love a drawing challenge, so I haven’t been able to resist joining in so far (even if I am a little behind on posting them on instagram). I’m working with a character again (I think it is actually easier to work with a recurring character during challenges because then you always have a starting point and aren’t having to pluck ideas from thin air – It is also great practice for character consistency), so far I’m just referring to him as Little Mouse. I think as the year progresses I’ll get to know him a little better, work out what his name is and what his story will be.

I’ve also been trying to edit some of my illustrations so they are ready for print. The idea is that I’ll open up my Folksy shop again (to begin with so I don’t have to start a new store from scratch) and offer a few wildlife cards, postcards and prints, but I’m procrastinating because that means spending money, which will seem like a waste if no one wants to buy them… I know, I know, you don’t know until you try.

In the December blog I also mentioned a Christmas book haul, so here we go, I’ll also have a January/February book haul but I think I’ll need to save that for another post, otherwise this blog will be far too long! .

When Paul Met Artie by G Neri, Illustrated by David Litchfield.
This is the illustrated story of Simon and Garfunkel, and while I know next to nothing about Simon and Garfunkel, I love everything illustrated by David Litchfield. I was so chuffed to receive this from one of my friends, and it is such a sweet story - I had no idea how young they were when they experienced initial success (even if it was followed by some ups and downs).

What Katy Did/What Katy Did At School/What Katy Did at School by Susan Coolidge
These books were such a lovely gift from my mum, they were some of her favourite stories when she was a little girl, but I’ve never read them. I really need to sit down one evening with a hot chocolate and some biscuits and get lost in them.

Family Don’t End With Blood by the cast and fans of Supernatural, edited by Lynn S. Zubernis
I only started watching Supernatural a couple of years ago, but it is a show with a huge, close fanbase, and once you start to fall into it you are lost - but in a good way. The Supernatural fanbase is affectionately referred to as the SPN family, because it feels like a warm, supportive, welcoming family, (and that includes the cast and crew as well as fans), and Lynn S. Zubernis has captured this by bringing together a collection of essays from both fans and actors talking about how Supernatural is more than just a TV show, and how, it can, in a fascinating way, bring people together and change lives.

Lights On Cotton Rock by David Litchfield
Did I mention how much I love David Litchfield???! All of his work is beautiful but the colours he uses in this book are more than stunning. It is the story about a young girl who meets an alien. It’s about friendship and family, and longing and home, and not realising how much you already have in life right in front of your nose.. It’s such a heartwarming story with such amazing illustrations.

Jill and Lion, Jill and Dragon by Lesley Barnes
These two books have been on my wish list for a long time, so I was thrilled to receive them from my husband for Christmas. I adore the illustrations, the use of colour, shape, pattern and texture, they are so dynamic, I love just sitting and turning through each page, absorbing the magic.

Ghost by Illustratus
Originally a successful Kickstarter campaign, Ghost: Thirteen Haunting Tales To Tell, is a selection of poems and stories written for a new generation of young readers, that has all that eerie timeless feel of traditional ghost stories with little twists at the end. This is such a lovely book, the illustrations are both beautiful and creepy, and even as an adult I found the stories a little sinister.

Harry Potter and the Goblet of Fire by J.K.Rowling Illustrated by Jim Kay
My Husband buys me an illustrated, hardback copy of a Harry Potter book for Christmas, each year one is published. I then save it until October, so I can sit in bed at night over the autumn and winters months, taking my time to read it as we head towards Christmas (we also start watching the films again every October, sometimes we get through them by Christmas, sometimes we don’t). Needless to say I haven’t had a proper look at this yet, I’m saving it, but it is definitely a book I’m looking forward to reading (I’ve read it as a non-illustrated book, just not this version).

My Favourite Thing Is Monsters by Emil Ferris
I can’t remember where I heard about this graphic novel, I think it was on a podcast, but thank goodness someone was talking about it, otherwise I wouldn’t have known it existed – both the graphic novel and Emil Ferris had sounded so fascinating to me that I had, had this book on my wish list ever since. Ferris contracted West Nile Fever and became paralysed from the waist down and lost the use of her right hand, so her daughter taped a pen to her hand to help her draw again while she was recovering. My Favourite Thing Is Monsters is what Ferris worked on while she was recovering. The whole novel, which is written in the form of a young girls diary, is drawn in ballpoint pen, so visually, it feels so fresh and interesting compared the usual graphic novel format, and I cant wait to read it.

That’s all my news for now, there are plenty more books (and hopefully illustrations :D ) to follow soon. I hope you have all had a great start to 2020.

(I have added links in the titles of the books mentioned to either Amazon or Wordery, I’m not affiliated with them, they are just places I personally buy books from online. At the time of writing this, the link I chose was the cheapest option – obviously price and stock are subject to change, so it always worth comparing different sites).

Making Art That Sells - Illustrating Children's Books 5

During October and November 2018 I took the five week ‘Illustrating Children’s Books’ MATS (Make Art That Sells) online course hosted by Lilla Rogers and Zoë Tucker. I thought it might be nice to share my experience here in case anyone else is considering this course, or just looking for a children’s illustration course in general.

The aim of the course is to assist you to produce several pieces of work for your portfolio to help pitch your illustrations professionally. Just before the course begins you are given three texts (children’s stories written by Lilla and Zoë) to read through, so you can decide which you would like to work with. You are also given access to a Facebook Group specifically for members of the class. This means that throughout the course you can chat with your classmates, share with others what you are working on, and find and give support. I found this group to be warm and friendly, but it is quite large so sometimes posts can get swallowed up quickly. I personally also found it a bit addictive so by the end of week three I had to cut back on posting and replying because I was getting distracted - with the class being global there was always someone on there to talk to! However it was nice to know that there was a bunch of people in exactly the same creative boat as me.

Each day (apart from Sunday) you are given a daily prompt to work on for ten minutes or so, to help you get started and loosen up, these correspond with the subject that you are working on that week, so it is something that you can refer back to as you work on the main assignments. I found these prompts really useful as they were a great exercise to get you moving each day without all the worry and procrastination, they also reminded me of the importance of drawing from reference, it was good to get back into that practice. The only problem with the prompts that I had was my own lack of self discipline, if I happened to be enjoying a prompt, ten minutes could easily turn in an hour or more.

On Monday you would be given a mini assignment, the aim of these is to introduce you to the main assignment gently, you have two days for the mini and then on Wednesday you are given the main assignment that you have until Sunday to complete. Once completed you upload your main assignment to the gallery on the website (mini assignments can be shared in the Facebook Group), then on the following Wednesday the gallery goes live and you can look through all the work produced by the class.

On the Wednesday after submitting your assignment, Lilla and Zoë do a review of some of the work from the gallery. They choose around twenty pieces and talk through what is great about them and also suggest ways in which they can be improved. You are warned before purchase that not everybody will get personal feedback on their work, so it is up to each illustrator to take the advice from the video and apply it to their own work. Looking at the gallery, I would estimate that there are at least 250 people taking the course, so it just isn’t possible for every piece of work to be commented on, those twenty chosen pieces create a review video over an hour long - you would be there all day if everyone was featured!

Each week you are also given at least one article/interview/video/info sheet a day (apart from Sunday), but most days it is more than one. These cover a range of things such as interviews with illustrators and publishers, articles on how to approach art directors and what they are looking out for, what is actually involved when you get a job (how projects work), as well as guidance on the main assignment. I think this might have been my favourite part of the course, you are basically being told a whole heap of stuff you wouldn’t usually know unless you have been there and done it already. It has given me more confidence on what to expect once I’m happy with my portfolio and I try and find work.

Week one was all about the main character. We began by reading through our chosen text searching for clues about their personality, inventing the accessories we thought they would wear and carry, before we moved on to drawing the actual character. I hadn’t thought of doing this before and it helped me to understand my character more thoroughly, and flesh him out a bit.

In week two we concentrated on emotions and expressions, drawing nothing but the head and playing with how we could convey meaning through the face. This was built on in week three by adding the body and developing poses to go with some of those expressions, trying to ensure that meaning was being communicated consistently throughout the whole character.

During week four we worked on environment with the main assignment being a double page spread. This was the assignment that I was most nervous about. I mostly work traditionally using watercolour ink and sometimes find it difficult to bring the characters and their surroundings together neatly and naturally. The course permits any medium, traditional or digital so I decided to paint each element separately then brought all the pieces together in Photoshop. I am as slow at Photoshop as I am painting, so it still took me ages but it did take the pressure off - if I made a mistake while painting, I wouldn’t have to do the whole thing all over again (whether I’ll continue to work like that I’m not sure yet).

All text in this piece is copyright of Zoë Tucker.

In the final week we worked on the front cover (see top of post). By the final Tuesday, working from first thing in the morning to late most days had aggravated my crummy back and I was having difficulty sitting for any length of time. I felt I had to rush to get the cover done and dusted, which is a shame, but I was still pleased that I finished every assignment - I uploaded the cover on the Friday and I can’t lie, I was happy to have a free weekend back after four weeks without one!

So was it worth it and did I enjoy it? Yes it was and yes I did (I even had a tiny cry at it after I uploaded the final assignment… or maybe I was just overworked! :) ). It is, if you want it to be, a lot of work, the amount of information given to you and the amount you are asked to do is intense, but I also found it great fun and exhilarating to be part of something, and to have set deadlines and goals. I was also surprised by how much work I actually produced in five weeks. Although I wasn’t entirely happy with my character and aspects of my other assignments, I now feel like I have a better idea of what things I need to change and work on in order to improve, and I’m looking forward to working through all the downloads and absorbing all the information and advice properly. I now also feel more confident about what my next steps will be once I am happy with my portfolio, I feel like I’m in a position to make a plan.

Were there any negatives? Not especially, but it is worth taking note of a few things that might make you feel a little negative personally, what with us creative types inclined to be a little more emotional or sensitive than others. Firstly, the course is quite a lot of money, that’s not to say it isn’t great value, but if you are going to spend your money on it, get the most out of it that you can by committing as much time to it as possible. Also it seems really obvious to me in hindsight, but when you purchase the course, as far as I can remember, the product page doesn't mention ‘may be subject to VAT’, so when I had (just under) an extra £80 added to my basket, it wasn’t the most pleasant surprise!

Secondly, you know you shouldn’t be comparing yourself to others, we all know that, but when you are surrounded by so many different styles and mediums, it can be really hard not to. You will need to have little mantras along the lines of “I’m me, I’m being me, they are doing them, and I am doing me” for the days when you aren’t feeling so confident. My experience, (and from what I can tell the experience of a lot of people in the Facebook group), is that the course is a bit of an emotional roller coaster, one minute you are motivated and enthusiastic and the next you feel like a sack of crap (we all have some kind of pesky doubts right?), it is a great practice for pushing through and continuing to work while you are feeling like that sack of crap. Of course the other side to there being so much other work to compare yourself to is that it is really inspiring - there is so much eye-candy.

I think the final thing I want to mention goes back to the review. My work wasn’t chosen for review, and while you know that statistically it is unlikely, each week you still hope that you are chosen. You don’t even realise that you were hoping until you aren’t in there and then you feel disappointment. It is pretty weird to feel disappointment for something you didn’t know you were hoping for… it isn’t the best feeling, but it isn’t the end of the world either, you soon get over it, you don’t have time to dwell on it, you have another assignment to start! I just figured I wasn’t standing out enough, I wasn’t hitting the mark, and if I’m honest with myself that is perfectly fair, I need to improve - and I will.