April 2020 – Another month gone ... but where?!?

April 30, 2020

You would think that lockdown would result in the days dragging, but April seems to have gone by in a blur of sameness, so it was a bit of a surprise when I realised that it was the last day of the month and it hadn’t occurred to me to start a blog post.

So what has happened in April? Well I finished the week-long instagram illustration challenge “Dream Week”, you can find all of the illustrations posted on my instagram grid. It was good fun, I’d been desperate to include one of my Caran D’ache fluorescent dry highlighters in a palette, and the colours I chose for these drawings were such fun and a bit of a change for me. I do tend to choose bright colours, but there is still usually something quite traditional about the colours I select as a whole. Dream Week saw me using lots of pinks, reds and purples, with some neon yellow thrown in. The highlighter pencil obviously wasn’t ideal for illustration, its a little too waxy, but I’m a big believer in using any medium you have at hand to make art.

I’m also continuing to create ‘Little Mouse’ illustrations for the Inktober52 art prompt challenge. I lost a little inspiration this month, and actually considered missing a week, as all the prompts were colours. Colour prompts are great if you are a traditional Inktober participant using black ink, as a pop of colour can be really effective, but if you are already using colour the prompt feels a bit vague. However, I’ve managed to create three illustrations prompted by a colour (well, almost - I should be finishing one now), and I think there will be a final colour prompt later today, so I’m feeling pretty pleased that I didn’t let myself get too despondent or give up.

The other thing that happened in April was mini-Gish. I’ve mentioned Gish in this blog before, it is a week long, global scavenger hunt that takes place every summer. However, since lots of people are stuck at home, the organisers thought it would be fun to create a 24 hour version, to help raise money for charity and to give people something fun to look forward to. It was a lot of fun and it also taught me that the things I create really don’t have to be perfect. I tell myself this every time I play Gish, but I always find myself trying my very best, and sometimes restarting projects, and giving myself several attempts to ‘get it right’. If you have the luxury of a week, you can do that, but I found in 24 hours the first thing I created stuck, it didn’t matter if it was wonky, imperfect or laughable, because ultimately it didn’t matter, it was just a bit of fun, (I always tell myself this, but this was the first time I truly practised it)

*Tim MInchin (supposedly) in pencil shavings*

I completed 5 tasks – in the last week-long hunt I achieved 9 tasks – so it just goes to show how my approach to tasks has altered, it has left me wondering just how many I can finish in the summer hunt.

*Briana Buckmaster and Kim Rhodes in toothpaste, on a bathroom mirror.*

For those wondering I created:
• A haiku about hand washing to be put above the sink.

• A portrait of a favourite famous person created using some kind of household waste (I chose Tim Minchin in pencil shavings, he is pretty wonky but it was 3 am).

• A miniature portrait of someone famous who makes you smile, on a mirror, in toothpaste. I chose Kim Rhodes and Briana Buckmaster.

• A representation of your dream couch carved from a potato.

• A sun hat made from weeds.

I’ve also been trying not to spend too much money this month, I have mostly been putting it towards food parcels. I had two sent to my parents and was fortunate to be on a video chat when one of them arrived. It was really nice to see them get excited about the things they were pulling out of the box. I’m also quite weak-willed when it comes to making spontaneous Instagram purchases, I’ve really tried to resist, but my willpower failed me twice (almost three times, as I almost made another purchase yesterday but you had to pay by card and I couldn’t be bothered to go and fish it out).

I bought a Sofie Hagen ‘Self-Isolation Care Package’ bundle, which included her signed book, access to two of her shows online and a handwritten card. I love Sofie, she is smart, warm and funny, but also doesn’t take any crap! Obviously I haven’t read her book just yet, it has been added to my massive to-be-read pile.

I also bought a beautiful John Bloor print entitled ‘Thrift and Rocks’. John was having a sale on instagram so it seemed rude not to make a purchase. I’ve bought a print from him previously but it was for a gift, so it was really nice to buy a print I could keep for myself this time. You can find this print here.

That was all the excitement I experienced during April 2020, which considering how restricted we are, hasn’t been so bad. I definitely still feel very lucky. I’ll hopefully be back at the end of May for another update!

December 2019 -The Short, End-of-Year Round-Up

December 30, 2019

Well it is very nearly the end of 2019, very nearly the end of another decade, and I feel like I should be reflective… but I’m just not feeling it. I don’t believe in making resolutions, they always seem like promises waiting to be broken, I’m just itching to get started on 2020, no plans, lists of goals etc. I just want to start working.

Christmas has been wonderful and relaxing, we were away a whole week visiting family, but the first part of December was a whirlwind of wrapping paper and snotty tissues, as our house came down with the dreaded cold that has been doing the rounds. So as you can imagine, I didn’t get much in the way of drawing done and I’m at the point now where I’m really missing it, I need to get the house back to normal and get back into a normal routine – it sounds like I’m grumpy, I’m not, I absolutely love Christmas, I just feel like I’m in limbo right now.

We usually like to visit some Christmas craft markets as we head into December, but this year I had so many presents organised early that there didn’t seem much point, (we did go to one very briefly and it wasn’t very good), however we did go with out friends to Christmas at Kew, to walk around the light trail.

It was a lovely, magical way to spend an evening, and thankfully (as it has to be booked in advance) it was a dry night. I loved the tunnel of lights, the tunnel of hanging lights, the shards hanging from the tree-top walkway, the fire garden and the laser projections over the water.

I did start several illustrations throughout December, but these were the only two I managed to finish, using Pro-create, in front of the T.V. while watching Christmas films… I’ll complete the others in the New Year.

The first is a nod to the T.V. show Supernatural – Dean does like his pie! The second came from the urge to use specific colours, the neon orange, pink, green and purple. I had a vague idea the figures were fairies.

I also thought I’d share a couple of things I’d bought for myself once I had finished all of my Christmas shopping.

I bought this wonderfully kitsch tree decoration and awesome Jessica Fletcher pin (both made from recycled acrylic) from Rosie Johnson illustrates. I’m also hoping to buy this Jessica Fletcher illustration on a t-shirt in the future too!

I then bought these delightful zines/books from Joe Latham, they have such wonderful and gentle illustrations (and they arrived the very next day after ordering!). Do check out the links in their names if you fancy purchasing any of their work for yourself.

I admit this post isn’t much of a round-up, like I said, I’m not feeling particularly reflective, 2019 hasn’t been a bad year for me in the slightest, but I’m eager not to linger at the tail end of it either, there seems to be a slight sense of urgency in the air – I’m also very aware that the last two weeks of doing very little has left my brain a bit numb and I feel like I’ve lost the ability to structure sentences properly, I’m really struggling to type, and into Yoda, I fear, turning I am.

I’ll be back in the New Year with legible sentences (hopefully) and maybe a Christmas book haul (I have been a very lucky girl this year and have so many beautiful new books to share with you).

See you in 2020 friends.

*Lyme Regis. If you can spot the orangey-brown bungalow with three patio doors, on the rightish of all those buildings on the left side of the image –that is where we stayed.*

November 2019

November 28, 2019

November has been a strange month, I felt a bit flat after Inktober and knew we had a few more days away booked at the start of November, so I started the month at a snails pace.

We began the month by spending four days in Lyme Regis. I haven’t been there in about ten years, but not much has changed, the little shop packed with gemstones down by The Cobb is still there, as is the bookshop, so rammed with books, that it is actually hard to get in. We stayed in a modern bungalow that overlooks The Cobb, which was the perfect location for when we arrived on the 5th of November – because that is where they set off the Lyme Regis fireworks, we had the perfect view (excuse the vertical video, you can blame the husband… and he is the first to complain about vertical video :D).

*We had some great weather for November, we only got caught in a shower once.*

The weekend seemed as busy as any of the summer months, but Monday and Tuesday were much quieter and had just the right amount of people, you didn’t get in each others way, you could always find a seat when you wanted to eat or drink, but it didn’t feel like a ghost town either.

*I loved seeing all colours and textures of coastal life.*

We spent our few days pottering in and out of shops and walking up and down the seafront, it was lovely.

When we returned I decided that I would start scanning all my illustrations, as my portfolio is long overdue an update. Scanning is one of my least favourite jobs, so I had been putting it off, so I think I ended up with at least 50 images to scan and then edit. It is nearly December and I still have some more editing to do, I wasn’t happy with some of my original edits so I’m doing them again… I do like making more work for myself :D .

*An image as uninspiring as scanning itself. Spot my little alebrije friend from Fuego in Lyme Regis, he was guarding my pile of illustrations that needed scanning.*

I’m really missing working in my sketchbook at the minute, I think I’ve spent one afternoon with it in November, and I’m starting to feel frustrated as I’ve lots of things I’d like to be working on. I did spend another afternoon experimenting on my own painted backgrounds – it was a struggle to use the coloured pencils on it, but it was good to try something a bit different and I’m sure it’ll be useful to me at some point. In the meantime, I just keep telling myself to plod on with the less exciting jobs and eventually I can start having fun and churning out some work again.

Finally, having pretty much completed my Christmas shopping by the end of October ( I panic if I leave it too late), I may have treated myself to a few new things this month. Firstly, if you have read any of my earlier blogs, you will know that I have mentioned illustrator, Dan Berry, before, but I was captivated by his “What We Do In The Shadows” Inktober illustrations. I wasn’t familiar with either the original film or the more recent series, so I immediately went to look it up on Amazon Prime. We still need to watch the series, but we absolutely loved the film. Dan released all of his inktober illustrations featuring scenes from both the film and the series in a zine called “What Dan Drew In The Shadows” , so I had to order myself a copy – I highly recommend it, it is absolutely wonderful!

*It’s me! Looking pretty pleased with myself in my new Katrina Scarf.*

The other item I’ve coveted for a while now is the Katrina Scarf by The Squirrel Collective. Tessa runs her own indie business, crocheting wonderful items to either wear or put in your home. The fact that everything is made by hand, by one person, means that not all products can be in stock in the online shop, all of the time, so it is worth following The Squirrel Collective on instagram (or subscribing to the newsletter) if you want to know when things are in stock. I was lucky enough to get one of a small collection of Katrina scarves that were available in November.

That’s all for now, hopefully I’ll post again at the end of December, with one of those reflective end of year posts… or maybe I’ll just tell you about how much cheese and wine I’ve consumed (that’s actually very unlikely as I can’t eat either, but you never know!).

September & October 2019

October 28, 2019

I am currently right in the middle of my happy place - Autumn. It may be raining all the time, but I don’t care, blankets and jumpers are coming out of the cupboards and candles are being lit, it is almost time to start talking about Christm… but first, a catch up.

*My book gifts and chocolates from Karen!*

In September I saw two of my book cover designs on actual physical books for the first time. Originally the designs were created for digital books, but author Karen Pomerantz decided to make both Trapping Honey and Bring The Thunder available for print, and she very kindly sent me a copy of each. I’ve seen lots of my design work in print before but never on a book, and I love books, so being able to hold them in my hands is both surreal and special.

The official Jake Parker Inktober prompt list was released on September 1st, and as I was going to be away in September and October, I knew that planning would be essential if I was going to make it through the whole month, so I started making scribbles in my sketchbook, noting down ideas for each prompt.

*Festival of Light sculpture at Longleat Safari Park.*

I wasn’t quite sure what to do for my birthday this year, but remembering how much I enjoyed meeting lemurs in the Lakes last year, we decided it was time to return to Longleat Safari Park, and my husband booked us both a red panda experience.

It was a pretty grey and rainy day, but not torrential. At the time they were beginning to set up the Festival of Light which starts in November, so there were a couple of sculptures already out, and we could see others being built in fenced-off areas, (we considered booking another visit for this, but as we usually head to Frome the night before visiting and stay for two nights, it seemed a bit much to go twice in three months, so maybe next year!).

Our experience wasn’t until the afternoon, so as is tradition we booked tickets on the first bus safari of the day (my husband is never going to agree to going through the monkeys in the car) and we were lucky enough to get front window seats on the top deck. We don’t usually do much on the stop at the African village, but this time I paid for a couple of twigs to feed the giraffes, which was totally worth it.

For the VIP experience, out keeper took us into the red panda enclosure to meet brothers, Kody and Lionel (named after the band Kodaline). Although the brothers were bred in captivity, our keeper told us all about where the red pandas come from, what their diet is like, what dangers they face in the wild (being hunted for their fur) and what work is being done to try and protect them, as well as how breeding programmes work throughout Europe. Fun fact, only red pandas are actual pandas, panda bears are bears.

We fed Kody and Lionel some vegetables and some panda cake – they have bamboo in their enclosure to eat too, but it is really hard for the keepers to monitor how well they are eating, or if they are getting enough to eat (especially as bamboo is so nutritionally poor) if they are just left to eat this way. The panda cake looks like dung balls, but they are made from a special bamboo substance, that is bought in, and then mixed with water so it forms a ball.

Kody and Lionel loved the panda cake! They came down to a table in front of us, we held out the food one piece at a time and they took it from us. Lionel in particular was incredibly gentle when he took food from me. They are the most beautiful animals and it was the perfect birthday gift.

After the experience we went on the Jungle Cruise. I love the Jungle Cruise! Last time we were there it was during the summer holidays so the queue was too long, but this time it was much easier to get on. It is only a short boat ride, and you have to pay for the little pot of fish, but I get so much joy from feeding the sea lions!

*Inktober Day 4: Freeze (Musical Statues)*

Once back from Frome I gave myself a little head start on Inktober. I’d already chosen the colours I wanted to use and decided that all illustrations were going to be circular, (carrying on a similar theme from my most recent wildlife illustrations). I had prepped by drawing around a plate thirty-one times, so I was ready to start on the actual illustrations straight after my birthday. I had decided not to use ink this year as I wanted to continue working with coloured pencils. I also decided to carry on my character work by drawing children for each prompt either playing, pretending, or taking part in some kind of activity.

The plan was to try and get half complete before I went away to the Lake District for a week on October 4th. I had considered taking them with me, but I prefer working in natural light if I can, and I knew by the time we’d been out adventuring every day, It would either be too dark or I would be too tired, then I wouldn’t be able to relax properly because I would have wanted to keep up with the challenge… sometimes you just need to be realistic and make a plan! I was really pleased to get sixteen completed before we left, it also gave me an extra five days breathing room when I got back before Inktober caught up with me.

Our week in the Lakes was the wettest we’d had in a while, but it didn’t matter, it never does. As is tradition, we spent Saturday pottering around Cockermouth visiting Percy House Gallery and The New Bookshop before having lunch at Shills. Sunday, was another kind of tradition, as we always end up at Grasmere. We took the walk around the lake, had lunch at Greens Cafe and Bistro (some good options if you are vegan, or trying to avoid dairy or gluten – I had a jacket potato with hummus and salad) and stopped by the Heaton Cooper Studio as I love picking up a few art supplies from there because it has a lovely atmosphere.

We then drove on to take a look at Blea Tarn, which was quite nice, but not as nice as the view of the valley (Great Langdale?) you found if you carried on walking along the pathway that went by the tarn – even on a grey day it was a lovely surprise.

On Monday we decided to visit Carlisle as we hadn’t been before. We went to the castle – I love a bit of history – then after lunch we went in search of bits of Hadrian’s Wall.

Considering everyone has heard of Hadrian’s wall, it seemed a little odd that there are only odd pieces of it left, I mean I’m not surprised so much by how much is left, considering how old it is, but surprised by the combination of how little there is and its fame.

*View from Whinlatter, looking out over Keswick and Derwentwater.*

A stay in Cockermouth just wouldn’t be the same without a visit to Whinlatter, which is what we decided to do on the Tuesday. It was lovely, it was blinkin’ windy but the sun came out for us and it was beautiful. So far, each time we have walked up Whinlatter, that same view has been completely different.

After a spot of lunch and meeting various new dog friends, we drove down to the Theatre By The Lake in Keswick, where we picked up a hot drink and then went and sat on the shores of Derwentwater.

The boating hut was closed due to a bad weather forecast, so the whole shoreline seemed strangely quiet compared to other times we have been there, but it was nice. It felt like we were tempting fate as we watched giant clouds roll in, but it is the Lake District, and you can never quite guarantee what the weather is going to do and we were able to sit for ages watching the changing light without being caught in a downpour.

On Wednesday we visited Aira Force Waterfall for the first time. It was quite good, there are plenty of paths to explore, and it gave me an opportunity to try my new walking poles, to help me (and my dodgy knee) get up (but mostly get down) the rocky pathway at the side of the waterfall. There were quite a few people there even though it was a damp day, so I don’t think it is somewhere I would like to visit during the school holidays, it must get swamped with people.

Our final day was another grey one, but we headed to Buttermere. We arrived fairly early to make sure we could get parking and because as the day goes on, the walk around the lake gets quite busy. We took my walking poles with us, as last time we were there, one part of the walk had quite a lot of rocks and boulders to clamber over… it turns out they have done a fair bit of work since our last visit, and that section of the walk is far more accessible now. I also made friends with two dogs, which always makes me happy.

Since we have been back, I’ve mostly been working on my Inktober illustrations. It was a bit of a struggle as we have had some really dark days, so I was trying to do all the sketching/outline work with the col-erase on dark days, and then working on the colour on brighter days, so rather than completing each illustration one by one, it turned into a bit of a production line.

My back also started to complain, I don’t think it appreciated how long I was sitting in my chair every day. It is a very good ergonomic chair, but that doesn’t stop me from gradually leaning forward and twisting to one side while I’m working, without realising. I finished my inktober illustrations with five days to go, which is what I had been striving for. It meant I could reward myself, and my back, by taking a few days off from sitting at the desk. The rest of this week is going to see me sitting sensibly (not lounging) on the sofa with my sketchbook muddling through some new ideas.

July – New Books

July 22, 2019

I mostly buy children’s picture books, but this month has been a bit different, I have bought a comic, a graphic novel and a vegan cookbook.

First up is a comic called “I’m on a Boat” by Dan Berry. I’m a big fan of Dan’s podcast Make It Then Tell Everybody (even though I’m really behind), and while I’ve become used to listening to him talk about comics, I only ever see his work on instagram, so when he started self-producing a comic telling the story of his time spent teaching on a boat, I jumped at the chance to purchase it. I think one of the joys of Dan’s work is how he captures small, but humorous, human moments, such as the reaction of people when they see him drawing in public. His line work looks so natural and relaxed, it seems effortless, he can create expression and movement, and tell a story with the simplest of lines, it is brilliant craftmanship .

Above, is one of my favourite images (I hope Dan doesn’t mind me sharing it), where Dan is signed-off from work. Even though it must have been a worrying and serious time for him, he portrays it in such a warm and funny way, it really makes me smile, (I’m sure many of us can relate to nervously waiting for the blood pressure monitor to produce a reading) – it was a great way for a single image to communicate his health troubles.

At the time of writing this post, Dan was producing these comics in-house priced at £10, if you are interested you can buy one here.

Next we have “This Was Our Pact” by Ryan Andrews. I follow Ryan on Instagram, so I was able to follow the illustrations he produced for this graphic novel as he was working on them. His images are so detailed and beautiful (I love the textures in his pencil work), and seeing them shared over a period of time really made me feel connected to the characters and the story, it also really made you appreciate how much work goes into graphic novels. This is a A5 paperback graphic novel (when I looked there were a few hardbacks available too), but it is pretty chunky, I was pleasantly surprised by the size of it when it arrived, unfortunately I haven’t read it yet so I can’t give it a proper review, but I can’t wait to start it, it looks absolutely beautiful. If you are interested in buying a copy, it is published by First Second Books, and you can find it on Amazon UK here.

Finally, I purchased a copy of “Cook Share Eat Vegan: Delicious plant-based recipes for Everyone” by Áine Carlin, published by Mitchell Beazley. The book has been out for a while in hardback and the paperback is due out in October 2019 – and I’m really looking forward to making something from it (I really enjoyed Áine’s previous two books) , I’m particularly interested in the “Crispy Cinnamon Potato Tacos” (although I need to wait until I have a working oven to try that one) and the “Chip-Shop Vegetable Curry”. Technically I’m not vegan, but I prefer to eat vegan if I can. I find the assumption that most people make, is that vegan food is boring, because vegetables are usually an afterthought plonked on the side of a plate, but if anything, I’ve found cooking far more exciting since I’ve dropped the meat and the dairy. One thing that stands out in this book is the variety of ingredients and flavours, and I don’t mean that it is full of exotic things you have never heard of, I mean that humble vegetables and grains that you find in any supermarket have been given a bit of love and consideration, and have been elevated to the tastiest sounding dishes. If anyone is interested in who Áine is and the food she makes, you might want to check out her old YouTube channel, the video linked is from three years ago, but I’ve made this quesadilla several times, and it is a really quick and tasty lunch. If you are interested in purchasing “Cook Share Eat Vegan” you can find it here.

All books were purchased with my own money, all opinions are my own.

A Kids Comic – May 2019 Update

May 24, 2019

I thought the start of this year was a slow one, but once February was over, time seemed to speed up – how is it nearly June? I really need to blog more, the lack of consistency is embarrassing!

So the challenge I mentioned in my last post was a comic that I wanted to create for the son of my friend, for his birthday, (if you look back through the tiny amount of posts, you will see that last year, I ‘kind of’ produced a picture book for his birthday – which was late!). I’ve not really attempted to create a comic before – I did a two page comic strip based on fears last year (mentioned two posts ago), but that was based on a very loose concept, where I created the story at the same time as the drawings. This time I wrote a basic story outline first (telling myself it would probably be no more than four A4 pages at the most), then I wrote it out in more detail, creating the narration and speech, and making a few quick scribbles of images that I might include.

(The story is an origin story, inspired by several other superhero stories, about a bunch of kids who love superheroes).

I’ve heard some comic creators/graphic novelists mention in interviews how they plan pages as they go, rather than planning all of the content and flow in advance, and this always sounded crazy to me. I am a big fan of planning and working out a structure to make sure everything … works! So it was strange to suddenly find myself winging it, planning each page as I got to it. I’m still not sure it was the best way to go about it, but as usual with birthday gifts, I knew if I took the time to plan it all out in advance, it would take me longer and I would miss the birthday. It turned out okay, I would have liked to have filled all the pages neatly into a multiple of four, but I ended up with one blank back page – I figured it couldn’t hurt, (of course it does hurt, every time I think about it, it irks me).

The four–page comic that I had envisioned turned out to have 23 pages. It took me much longer than I anticipated, partly because I took the opportunity to familiarise myself with Procreate at the same time (I also took the opportunity to get myself through Gilmore Girls while I coloured things). It was definitely a challenge (the comic, not Gilmore Girls… although), it is really hard to fit everything together, and I feel like I’m only at the beginning of a lesson in comic book fundamentals (as well as Procreate).

I am pleased with the end result, but I am also aware of how flawed it is – I have no idea how graphic/comic illustrators keep their details so consistent, I went through looking for mistakes multiple times and I still missed a whole bunch – but I think I have the bug now, I would like to do another, I want to learn more and I know I can do better! It’s just one more thing for the ‘to-do’ list.

End of Year Update - 2018

December 23, 2018

I guess technically we aren’t quite at the end of the year, but lets face it, it is unlikely I’ll post again before we hit 2019!

What have I been up to since August? Well, as well as continuing with a few watercolour ink portraits, I visited the Lake District at the end of September for my birthday.

As usual we had a great time visiting Grasmere, Whinlatter and Coniston Water, and this time we finally made it to Buttermere too, (it was a gloriously sunny day!).

For my actual birthday we visited The Lake District Wildlife Park; that wasn’t gloriously sunny, it was grey, damp and drizzly, but it didn’t matter because we booked a Lemur Encounter - I highly recommend everyone stroking a lemur on their birthday!

Once we were back home I hit the ground running with Inktober. I failed miserably on my first attempt last year, but this time I was organised. I used Jake Parker’s Inktober prompts and sneakily completed my sketches before we went to the Lakes, so all I needed to do was trace and paint them… The only snag was that I would be starting a five week MATS course mid-October and I didn’t want to be trying to juggle both, so I traced and painted all 31 in the first eleven days of the month.

I tried to keep everything simple, so I stuck with the same little character, a witch called Hattie who is always getting things wrong. I hadn’t intended to stick with one character throughout the whole month initially but she appeared in the first sketch and it just seemed the most obvious thing to do after that - less time spent coming up with ideas, less time thinking about palette, less time wondering how to draw a panda juggling on broken bike etc. (although maybe I’ll do that next year). I think maybe there were memories of Mildred Hubble seeping out from my subconscious, I used to love the Worst Witch books!

During those eleven days I also decided to throw in another Gish challenge about fears, so I decided to create a two page comic strip on the subject. I haven’t actually done any kind of comic strip before, but after listening to Dan Berry’s ‘Make It Then Tell Everybody’ podcast I’ve been inspired and have become really curious about using it as a way of telling stories. It is definitely something I would like to look into and experiment with.

My last main task of the year was the five week ‘Make Art That Sells’, ‘Illustrating Children’s Books’ course. I’ve written a separate post about it which goes into more detail, but basically the course helps you develop a series of images that can be used in your portfolio to help pitch your illustration work. I guess the course is as intense as you make it, it is up to you how much work you do, but I tried really hard, getting up early, working all day and also a majority of evenings, other stuff like cleaning, some cooking and life in general got put on hold. There has been a lot of information to absorb, I need to go back through it all, but mostly I was surprised by how much I could produce in what was a fairly short space of time.

I’ve now caught up on all my Christmas stuff, I’ve tried my best to buy from as many local businesses and independent makers as possible - I love seeking out individual gifts that people may not have come across before. If I remember, I want to take pictures of the things I’ve bought so I can share a bunch of creators in a post in the new year, (I can’t do it now because it will spoil all the surprises). So until then, Merry Christmas and a Happy New Year!

Making Art That Sells - Illustrating Children's Books 5

November 23, 2018

During October and November 2018 I took the five week ‘Illustrating Children’s Books’ MATS (Make Art That Sells) online course hosted by Lilla Rogers and Zoë Tucker. I thought it might be nice to share my experience here in case anyone else is considering this course, or just looking for a children’s illustration course in general.

The aim of the course is to assist you to produce several pieces of work for your portfolio to help pitch your illustrations professionally. Just before the course begins you are given three texts (children’s stories written by Lilla and Zoë) to read through, so you can decide which you would like to work with. You are also given access to a Facebook Group specifically for members of the class. This means that throughout the course you can chat with your classmates, share with others what you are working on, and find and give support. I found this group to be warm and friendly, but it is quite large so sometimes posts can get swallowed up quickly. I personally also found it a bit addictive so by the end of week three I had to cut back on posting and replying because I was getting distracted - with the class being global there was always someone on there to talk to! However it was nice to know that there was a bunch of people in exactly the same creative boat as me.

Each day (apart from Sunday) you are given a daily prompt to work on for ten minutes or so, to help you get started and loosen up, these correspond with the subject that you are working on that week, so it is something that you can refer back to as you work on the main assignments. I found these prompts really useful as they were a great exercise to get you moving each day without all the worry and procrastination, they also reminded me of the importance of drawing from reference, it was good to get back into that practice. The only problem with the prompts that I had was my own lack of self discipline, if I happened to be enjoying a prompt, ten minutes could easily turn in an hour or more.

On Monday you would be given a mini assignment, the aim of these is to introduce you to the main assignment gently, you have two days for the mini and then on Wednesday you are given the main assignment that you have until Sunday to complete. Once completed you upload your main assignment to the gallery on the website (mini assignments can be shared in the Facebook Group), then on the following Wednesday the gallery goes live and you can look through all the work produced by the class.

On the Wednesday after submitting your assignment, Lilla and Zoë do a review of some of the work from the gallery. They choose around twenty pieces and talk through what is great about them and also suggest ways in which they can be improved. You are warned before purchase that not everybody will get personal feedback on their work, so it is up to each illustrator to take the advice from the video and apply it to their own work. Looking at the gallery, I would estimate that there are at least 250 people taking the course, so it just isn’t possible for every piece of work to be commented on, those twenty chosen pieces create a review video over an hour long - you would be there all day if everyone was featured!

Each week you are also given at least one article/interview/video/info sheet a day (apart from Sunday), but most days it is more than one. These cover a range of things such as interviews with illustrators and publishers, articles on how to approach art directors and what they are looking out for, what is actually involved when you get a job (how projects work), as well as guidance on the main assignment. I think this might have been my favourite part of the course, you are basically being told a whole heap of stuff you wouldn’t usually know unless you have been there and done it already. It has given me more confidence on what to expect once I’m happy with my portfolio and I try and find work.

Week one was all about the main character. We began by reading through our chosen text searching for clues about their personality, inventing the accessories we thought they would wear and carry, before we moved on to drawing the actual character. I hadn’t thought of doing this before and it helped me to understand my character more thoroughly, and flesh him out a bit.

In week two we concentrated on emotions and expressions, drawing nothing but the head and playing with how we could convey meaning through the face. This was built on in week three by adding the body and developing poses to go with some of those expressions, trying to ensure that meaning was being communicated consistently throughout the whole character.

During week four we worked on environment with the main assignment being a double page spread. This was the assignment that I was most nervous about. I mostly work traditionally using watercolour ink and sometimes find it difficult to bring the characters and their surroundings together neatly and naturally. The course permits any medium, traditional or digital so I decided to paint each element separately then brought all the pieces together in Photoshop. I am as slow at Photoshop as I am painting, so it still took me ages but it did take the pressure off - if I made a mistake while painting, I wouldn’t have to do the whole thing all over again (whether I’ll continue to work like that I’m not sure yet).

All text in this piece is copyright of Zoë Tucker.

In the final week we worked on the front cover (see top of post). By the final Tuesday, working from first thing in the morning to late most days had aggravated my crummy back and I was having difficulty sitting for any length of time. I felt I had to rush to get the cover done and dusted, which is a shame, but I was still pleased that I finished every assignment - I uploaded the cover on the Friday and I can’t lie, I was happy to have a free weekend back after four weeks without one!

So was it worth it and did I enjoy it? Yes it was and yes I did (I even had a tiny cry at it after I uploaded the final assignment… or maybe I was just overworked! :) ). It is, if you want it to be, a lot of work, the amount of information given to you and the amount you are asked to do is intense, but I also found it great fun and exhilarating to be part of something, and to have set deadlines and goals. I was also surprised by how much work I actually produced in five weeks. Although I wasn’t entirely happy with my character and aspects of my other assignments, I now feel like I have a better idea of what things I need to change and work on in order to improve, and I’m looking forward to working through all the downloads and absorbing all the information and advice properly. I now also feel more confident about what my next steps will be once I am happy with my portfolio, I feel like I’m in a position to make a plan.

Were there any negatives? Not especially, but it is worth taking note of a few things that might make you feel a little negative personally, what with us creative types inclined to be a little more emotional or sensitive than others. Firstly, the course is quite a lot of money, that’s not to say it isn’t great value, but if you are going to spend your money on it, get the most out of it that you can by committing as much time to it as possible. Also it seems really obvious to me in hindsight, but when you purchase the course, as far as I can remember, the product page doesn't mention ‘may be subject to VAT’, so when I had (just under) an extra £80 added to my basket, it wasn’t the most pleasant surprise!

Secondly, you know you shouldn’t be comparing yourself to others, we all know that, but when you are surrounded by so many different styles and mediums, it can be really hard not to. You will need to have little mantras along the lines of “I’m me, I’m being me, they are doing them, and I am doing me” for the days when you aren’t feeling so confident. My experience, (and from what I can tell the experience of a lot of people in the Facebook group), is that the course is a bit of an emotional roller coaster, one minute you are motivated and enthusiastic and the next you feel like a sack of crap (we all have some kind of pesky doubts right?), it is a great practice for pushing through and continuing to work while you are feeling like that sack of crap. Of course the other side to there being so much other work to compare yourself to is that it is really inspiring - there is so much eye-candy.

I think the final thing I want to mention goes back to the review. My work wasn’t chosen for review, and while you know that statistically it is unlikely, each week you still hope that you are chosen. You don’t even realise that you were hoping until you aren’t in there and then you feel disappointment. It is pretty weird to feel disappointment for something you didn’t know you were hoping for… it isn’t the best feeling, but it isn’t the end of the world either, you soon get over it, you don’t have time to dwell on it, you have another assignment to start! I just figured I wasn’t standing out enough, I wasn’t hitting the mark, and if I’m honest with myself that is perfectly fair, I need to improve - and I will.

January 2018 - Round-Up

January 31, 2018

I entered 2018 with a slight case of inertia, but having things leftover from 2017 to finish has really motivated me. I think that sometimes the prospect of starting a bright, shiny New Year with a spring in your step and a brand new list of goals can be a bit intimidating. Having old tasks to complete already sitting on the to-do list, took the pressure off and I gained momentum by simply carrying on where I left off. So, the second half of January has flown by and it's because I've been spending a significant amount of time glued to my desk - but I'm not complaining.

I finished my final Christmas Elf collage. I'm not entirely sure it fits with the previous collages in the series but I like it, it amuses me.

The book cover that I mentioned in the last post has also moved along, but I can't share any of that yet.

I can, however, share two woodland related collages that join the fox collage I created last year - an owl and a hare. Again I'd like to create a series of at least five of these as I think they look really effective, so keep an eye out in future for a deer and a badger.

I've also been pondering how creative folks on social media manage to stay active and continue to look creative when they are working on projects that they can't share? I often find tumbleweeds passing through my instagram account!